After The Shape of Water (winner of 4 Oscars in 2017), Guillermo del Toro is back with a film with dark and mysterious atmospheres. Nightmare Alley, released in theaters at the end of January and since a few days available on Disney+, is a thriller-horror with which the Mexican director plays with all the elements that have always been part of his narrative.
Monsters, ever-present in del Toro’s films, we find them both in characters with a truly monstrous appearance, but also in characters with monstrous ambitions and vices. We also find religious references, a spasmodic use of mirrors, dark and noir atmospheres and crude scenes that we can not help but watch and watch again.
We have selected 10 frames that, without spoiling anything, return all the beauty of Nightmare Alley.
In the past few days the FiumefreddoPhotoFestival has opened in the picturesque village of FiumefreddoBruzio on the lower Tyrrhenian coast of Cosenza. The event dedicated to contemporary photography is in its first edition and hosts Italian and international artists, as well as a section dedicated to emerging photographers. Until Sept. 10, the event will host shots by artists, along with events, talks and workshops that will explore the theme of the edition, entitled “MIDWAY: between past and future.” The aim of the projects is to depict the time that belongs to us but also to provoke perplexity and trigger doubts, delving into the theme of environmental and climate protection and the cultural, political and social fallout it triggers.
Among the leading names at the festival are Misha Vallejo Prut, with his account of the indigenous Kichwa community of Sarayaku (in Ecuador), Marco Zorzanello and his images of how the tourism industry is reacting to the effects of climate change, and Gabriele Cecconi, on display with a photographic survey of the microcosm of Kuwait. Others then included Giacomo d’Orlando and his underwater greenhouses, Fabian Albertini and Alex Urso. The winner of the call dedicated to emerging photographers is Bianca Maldini, who at the festival will present “Once Someone Told Me,” an exhibition project that stems from a personal research on the incredible, the irrational. Take a look at 10 of the best photographs on display at Fiumefreddo Photo Festival, a terrace on the world that opens in the heart of southern Italy.
New Zealand photographerCodyEllingham believes that there are two versions of Hong Kong: a real one that exists with its monumental skyscrapers and one that we remember fondly in our memories. The series “Fantasy city by the harbour” – from which a book of photographs was also born – stems precisely from an attempt to try to understand how we can return to the “other” Hong Kong, of which only the dreams and atmospheres dense with neon and people frantically roaming the streets of the Asian city remain.
The shots mainly show the architecture of the city, studied through the calm moments of the metropolis. In fact, people never appear, a challenge considering that Hong Kong is one of the most densely populated areas on the planet with its 7 million inhabitants. In the streets, therefore, only silence remains, interrupted by the buzzing of neon lights, which Cody Ellingham uses to accentuate the aesthetic effect of the views, as if they were sets for a futuristic film set in a hyper-technological city of androids and flying machines. The photographer had the opportunity to study the city during his frequent travels, choosing moments of calm to make even more vivid and real the Hong Kong that persisted in his memories but was difficult to find in everyday life. The fog favours the general suspended atmosphere of the scenes, the large billboards look like TVs left on after falling asleep on the sofa while the lights of the skyscrapers belie the whole thing: the city is not sleeping.
Is it possible for urban man to abandon all stimulus and service of the city to reconnect with an idea of brutal pragmatism dictated by nature? PhotographerDanieleFrediani has embarked on a journey to Asia, to some of the territories in which the truth of time and space overpower appearances, consumption and weaknesses of our society.
Frediani in Kyrgyzstan perhaps saw what would happen if we were forced to go back to living as we did centuries and centuries ago, dependent on the cycle of nature and the animal cycle. The shots in his photo series show Kyrgyz nomads as they live by eliminating everything superfluous, decreasing the margin of error, of doubt about what is right or wrong. What the protagonists of these photos have at their disposal is only what their animals have to offer, while all around them are only large grasslands still cold in the Song Kol Lake area. “Living with them is an experience that takes you to another world, a world without time and space: before the Internet and social media, before technology and electricity,” said Daniele Frediani.