PhMuseum was founded in 2012 as the first online museum dedicated to contemporary photography with the aim of offering a space accessible to everyone from everywhere that would promote visual culture. Over the years PhMuseum has organised various activities and initiatives, from photography courses to training programmes and high-level masterclasses. This year it wanted to go even bigger, abandoning its digital form for a while and becoming a physical event.
From 23 to 26 September, in fact, the Binario Centrale of Bologna’s DumBo will host the first edition of the international photography festival PhMuseum Days.
The theme chosen for this first edition is A New Beginning and it perfectly fits both the historical moment we are living and the new decade that has just begun and because the event represents a new adventure for PhMuseum.
The 4-day programme includes individual exhibitions, a collective installation, workshops, portfolio reviews, screenings, performances and a space dedicated to independent publishing.
Guests include Argentinean photographer Alejandro Chaskielberg, whose Natur-e reflects on the relationship between man, nature and technology, and Brazilian photographer Angelica Dass, who will be exhibiting Humanae, a project that seeks to demonstrate that what defines the human being is his inescapable uniqueness.
There will also be the Encounter project by Italian photographer Silvia Rosi, who starts from her family album to tell stories of migration and diaspora through self-portraits and performances, and Afterlife by French photographer Vasantha Yogananthan, who tells the eternal challenge between good and evil by reinterpreting a passage from the Indian epic poem Ramayana.
In addition, three works chosen from over 700 projects submitted through the festival’s open call will be on display: Human by Ecuadorian photographer Fabiola Cedillo, focusing on the human need to reproduce, naturally and through technology; Fading Senses by Polish photographer Ligia Poplawska, on the implications of the loss of ecosystems on our mental and emotional health; and finally, C-R92/BY by British photographer Samuel Fordham, a project focusing on thousands of British families separated as a result of Home Office policies.