Patrick Tuttofuoco’s sunrise in Sardinia

Patrick Tuttofuoco’s sunrise in Sardinia

Giorgia Massari · 3 months ago · Art

A semi-dark room, curved aluminum walls and a large neon sun radiating the colors of dawn. This is the interdisciplinary installation Il Resto dell’Alba, created by artist Patrick Tuttofuoco (1974), in collaboration with Pininfarina Architettura, for the MAN in Nuoro. A subjective experience that, in the words of curator-museographer Maddalena D’Alfonso, “places the visitor at the center of what for us is one of the possible landscapes of art, where we move in search of ourselves.” A timeless and atypical dimension in which past, present and future coexist. Despite its form, which in terms of its realization may appear futuristic, the work invites viewers to imagine an environment “from now on,” with an awareness of the past and without imposing a dystopian or utopian vision, which is increasingly common in contemporary art imagery. In more descriptive words, Il Resto dell’Alba is like an ellipse with its two fires looking to the sun as a representation of the real and the possible but at the same time looking to the past, here embodied by the small Nuragic sculptures dating back three thousand years and lent by the National Archaeological Museum of Nuoro and Cagliari.

Sunrise as a message of hope

The Remnant of Dawn thus proposes a scenario that seems to come from the metaverse, with shapes and colors to which we are still getting used, but which is meant to be as close to an imminent and imaginable future, in a certain sense unnatural but giving way to the combination of nature-technology. The very idea of dawn describes a moment of transition, from night to day, and for this reason it becomes “the moment of the possible.” It is here that the dawn gives shape to a message of hope, a way for the artist to become aware of the present in which we live and offer a vision that does not exist but hypothesizes a solution. Patrick Tuttofuoco himself says that today, more than ever, “is the time when we need to plan more than before and not just remember how bad our end will be, because it certainly won’t take us anywhere. On the contrary, it’s just a duty of culture, in a very broad sense, to try to reproject man in a future that doesn’t just follow dystopian instances suitable for TV series, but in a scenario where this drama is handled.”

From idea to realization

The story and creative process of this wow-effect work is also surprising and interesting. “The project was born two years ago, when there was a call for tenders for the renovation of the Museo del Novecento in Milan,” explains Maddalena D’Alfonso, “Patrick and I started theorizing about a series of different landscapes, one seascape, one mountainous, one stellar, and so on. We had an idea we were heading toward. So the theme of aurora and hope was born in Milan at an apical moment, but it was here that it took shape.” Following, then, a rejected project, perhaps because it was too visionary and untraditional, D’Alfonso and Tuttofuoco found in the MAN of Nuoro the perfect place to make their ideas tangible and, even more, they discovered in the theoretical confrontation with Pininfarina Architettura – particularly in the figure of architect Giovanni de Niederhäusern – the possibility of giving life to an installation that interprets the new frontier of the virtual.

The Resto dell’Alba is a real space. An experiential place generated with virtual prototyping tools. In other words, the structure is composed of 539 aluminum strips (natural Prefa) designed with generative parametric design tools and then cut with the mesh clustering technique, a special process that optimizes the use of the material and therefore reduces its waste. In this sense, art, artifice, and human experience a coexistence that tells time in a different way, resulting in a space that is not rigid but rather malleable and hypothesizable by the individual, who is incredibly central here.

Patrick Tuttofuoco’s Il Resto dell’Alba is produced in collaboration with Pininfarina Architettura in the person of Giovanni de Niederhäusern, curator museographer Maddalena D’Alfonso, and thanks to the collaboration of technical partners Materea, Nieder, Alpewa and Prefa, Erco, Brianza Plastica, Stand Up and InLuce. The exhibition is on view at MAN in Nuoro, Sardinia, until March 3, 2024.

Ph Credits Alessandro Mori

Patrick Tuttofuoco’s sunrise in Sardinia
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Patrick Tuttofuoco’s sunrise in Sardinia
Patrick Tuttofuoco’s sunrise in Sardinia
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Has food truly conquered us?

Has food truly conquered us?

Anna Frattini · 2 months ago · Photography

Over the past year, the internet seems to be obsessed with food culture, fueling a trend that is now evident even in the world of visual culture. From the Tomato Girl Summer, which many mock retrospectively, to the foodie fashion girlies, Balenciaga’s collaboration with Erewhon, and the massive success of The Bear. Food appears to be experiencing a rebirth, but in the worlds of art, photography, and design, it has always been present. Is this just a passing trend, or is it the glorification of an element that has always been part of our lives?

Un’illustrazione di Maisy Summer

From Tomato Girl Summer to the pomegranate

It was only in 2020, with lockdown recipes—does anyone remember Dalgona Coffe?—that so much talk about food emerged. On TikTok, @wishbonekitchen made us dream by showing us her life as a private chef in the Hamptons this summer. Unforgettable were her Heirloom Tomato Gallette and the garden where she harvested fruits, vegetables, and herbs. In 2023, it seems to have been the summer of food not only with the release of the second season of The Bear but also with Tomato Girl Summer. On the other hand, according to Danielle Cohen on The Cut, it now seems to be the time of the pomegranate.

 
 
 
 
 
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Un post condiviso da Cansu Porsuk Rossi (@cansupo)

Thanks to its shape and the vivid red that characterizes it, this fruit is widely recognized as a symbol of fertility in many parts of the world. But not only that, we find the pomegranate in mythology, art history, and, according to Cohen, even in the Torah. In short, fruits and vegetables seem to be largely protagonists of this rebirth, so we have collected some works and photographs by artists and photographers we have talked about in the past and more.

Browsing through our archives, we remembered Michael Crichton‘s photos and his photographic series, Conceptual Food, as well as Dan Bannino, who many years ago narrated the eating habits of the powerful. But there is also Stephanie Sarley, an artist who, with fruit fingering, challenged the way the art world has represented the female reproductive organ throughout its history.

 
 
 
 
 
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Un post condiviso da Stephanie Sarley (@stephanie_sarley)

Why it seems not to be just a passing trend

The success of food in visual culture can be attributed to its tangible communicative power. We see and experience the colors and textures of food daily, all evocative elements of memories that we have been collecting forever. In conclusion, we can only wonder which will be the next fruit to receive all this attention, already dedicated to tomatoes and pomegranates, even before avocados and bananas.

Has food truly conquered us?
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Has food truly conquered us?
Has food truly conquered us?
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Michel Haddi beyond the fashion shots

Michel Haddi beyond the fashion shots

Anna Frattini · 2 months ago · Photography

29 ARTS IN PROGRESS recently showcased Michel Haddi: Beyond Fashion, a photographic exhibition dedicated to the Franco-Algerian photographer, marking his first solo exhibition in Milan. Starting from January 16, the second chapter of this exhibition opens, featuring unconventional shots infused with a street and urban soul. Additionally, there are elements of irony and sensuality that highlight Haddi’s complex personality.

michel haddi
© Michel Haddi – Debbie Harry, British Vogue, London, 1994 | Courtesy of 29 ARTS IN PROGRESS gallery

In this second chapter, nude shots and unpublished works by Michel Haddi are presented, stemming from advertising campaigns he personally captured. The displayed photographs capture the spirit of their time, thanks to influential figures such as John Galliano or Patsy Kensit, who have played pivotal roles in the realms of fashion, cinema, and music.

Michel Haddi has the ability to portray his subjects with both irony and depth, and each of his shots tells a unique story. His life, marked by a turbulent start, has nevertheless propelled him to become one of the leading fashion photographers from the 1990s to the present day.

Michel Haddi beyond the fashion shots
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Michel Haddi beyond the fashion shots
Michel Haddi beyond the fashion shots
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Joel Meyerowitz is the master of color photography

Joel Meyerowitz is the master of color photography

Collater.al Contributors · 1 month ago · Photography

A few weeks ago, the Huxley-Parlour gallery in London announced the new exhibition by Joel Meyerowitz, which opened on January 17th. We couldn’t help but talk about him, the American photographer born in New York in 1938, famous for his street photography, and recognized as one of the pioneers of color photography. The London exhibition, titled “Dialogues,” highlights this aspect effectively. Pairs of photographs engage in a dialogue concerning light, color, and composition. The pairings are chosen to investigate the development of color in the artist’s work, set within non-hierarchical and unresolved compositions.

The exhibition in London

Meyerowitz’s imagery blends a distinctly American aesthetic with a meditative approach to color. Spanning from 1964 to 2011, the exhibition at Huxley-Parlour reveals Meyerowitz’s enduring interest in the sensory and evocative experiences of his surroundings. Paired with lesser-known images from the artist’s extensive archive, the exhibition features some of Meyerowitz’s most famous works, including his early street photography and images from his seminal series, Cape Light.

Joel Meyerowitz and the Color Revolution

Joel Meyerowitz is widely acknowledged as one of the first photographers, along with William Eggleston and Stephen Shore, to bring color photography from the periphery to the center of fine art photography. Historically, where black and white photography was considered a serious medium, color was widely viewed as technically inferior and aesthetically limited, relegated to advertising campaigns, television, and personal holiday photographs. In the London exhibition, it’s interesting to trace Meyerowitz’s shift from black and white to color. On display are works from “A Question of Color,” where Meyerowitz, carrying two cameras, paired black-and-white and color prints of nearly identical scenes.

Courtesy Joel Meyerowitz

Joel Meyerowitz is the master of color photography
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Joel Meyerowitz is the master of color photography
Joel Meyerowitz is the master of color photography
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A photographic journey in Bangkok with Xiaomi

A photographic journey in Bangkok with Xiaomi

Giulia Guido · 1 month ago · Photography

Not even a week ago, Alessia Glaviano – Head of Global PhotoVogue – a guest on our Spigola podcast, reminded us that it no longer matters whether you shoot with a camera or a smartphone. What matters is the intention behind the shot, not the means. We pondered deeply on this statement, and although there was initially some skepticism, we concluded that to take a true stance on the matter, we had to try it ourselves: capturing moments solely with a smartphone, but with the same attitude we would have had with a professional camera. Xiaomi provided us with the opportunity and the means.

Almost by chance, Xiaomi presented us with a challenge: to visit a distant place and attempt to capture its uniqueness using the brand-new Redmi Note 13 Pro+ 5G. And so began our journey, short but very intense, in Bangkok.

All the promises of this new device – which, along with four others, forms the new Redmi Note 13 Series, further enriching the brand’s Redmi Note lineup – were substantial. Starting from the battery, rechargeable to 100% in just 19 minutes with a lasting capacity of days (not hours), and of course, the camera system consisting of 3 cameras, including a main 200 MP camera, an ultra-wide-angle camera, and a macro camera.

We decided to put Xiaomi to the test in every moment spent in the Thai capital. The first stop was at the Royal Palace and the Wat Pho temple, where the goal was to capture the colors of the mosaics and decorations.

Xiaomi

Being one of the most touristy places in the city, we encountered many people who, like us, were fascinated by the architecture of these sacred places. The Redmi Note 13 Pro+ 5G came to our aid in this moment as well. The smartphone is equipped with AI-based editing tools that, among other things, allow us to remove people who accidentally end up in our shots. You know those photos you see on Instagram of tourist spots always empty? Now you can have them too, effortlessly!

But a city is not only visited during the day; often, it comes to life at night, illuminated by a myriad of different lights. In our case, the lights were those of the legendary tuk-tuks, indispensable in a trip to Bangkok. In this case, the challenge was formidable: darkness, colored lights, movement. All the ingredients for a challenging shot were present.

Xiaomi

Not content with just the shot, we continued to play with AI tools and added a bit more movement, some stars, many stars.

When traveling, we know very well that we are not only captivated by architecture, landscape, and glimpses, but we also focus on the faces we encounter on the streets. However, we often don’t have much time to photograph them, sometimes because they move, other times because we are the ones on the move. That’s exactly what happened to us in the characteristic Thai markets, first and foremost the Floating Market.

Reviewing the photos on the return flight and at home with friends was like reliving the journey once again, leaving no detail behind.

Xiaomi

In Bangkok, on the occasion of the launch of the new Redmi Note 13 Series, the brand also introduced the brand-new Redmi Watch 4 and Redmi Buds 5 Pro. Visit Xiaomi’s website to discover all the features of these devices.

Xiaomi

Photos shot on Xiaomi Redmi Note 13 Pro+ 5G

A photographic journey in Bangkok with Xiaomi
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A photographic journey in Bangkok with Xiaomi
A photographic journey in Bangkok with Xiaomi
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