In an era characterized by the uncontrollable proliferation of digital images, selfies, and the widespread use of filters that distort the perception of the contemporary world, photographer Federico Hurth captures an authentic portrait of youth, but one that is burnt out. His project, titled Wasted Youth, is a true reportage, or as Federico himself describes it, «a personal photographic diary in which I collect snapshots of carefree moments.» His strictly analog shots depict faces, bodies, and situations, always following «a damned, fashionable, artistic, musical aesthetic.» In Federico Hurth’s shots, the melancholy and inner rebellion of a generation emerge. Some of the shots from the project, which Federico has been working on since 2021, will be exhibited at the Doppia V Gallery in Lugano from October 20th to November 17th, in an exhibition curated by Francesca Bernasconi.
Federico Hurth’s photographs are devoid of any post-production manipulation, «if a photo has a flaw, I keep it that way. Precisely to maximize the authenticity of the moment,» the photographer tells us. Wasted Youth offers a glimpse into fragments of youthful lives lived intensely but, at the same time, in a way that may seem “wasted,” in line with the title of his project. The aesthetic, which oscillates between the glitter of glamour and the darkness of decay, reflects the complexity and uncertainty that the contemporary context offers to young people, who are at the mercy of looming precariousness.
In conclusion, quoting the words of curator Francesca Bernasconi, «Federico Hurth’s photographs are characterized by an intriguing immediacy and an instinctive and decisive formal exploration, strongly linked to the revolutionary aesthetics that emerged in the 1990s through the work of a generation of photographers, often, like Hurth, straddling the worlds of fashion and alternative artistic scenes.»
Courtesy Federico Hurth