In a Nebulous State is a sensory encounter between two seemingly opposite worlds that are, surprisingly, deeply connected. The exhibition, presented by Sorondo Projects as part of CAN Art Ibiza 2025, brings together the works of Miranda Makaroff (previously featured here) and Víctor González for the first time, creating a suspended space where form and perception dissolve into something undefined, fluid. A dreamlike atmosphere that doesn’t ask to be understood, only experienced.
Miranda bursts, Víctor whispers. Yet it’s precisely in this tension between chaos and calm that a new kind of harmony emerges — one made of energy and deep listening. “I’m completely fascinated by extremes, they electrify me,” Miranda shares. “I don’t believe in neutrality, I find it boring. So sharing a space with Víctor, whose energy is quieter, more introspective, was super exciting. Opposites attract, right? When you place something explosive next to something serene, you create a kind of balance neither could achieve alone.”
The title of the exhibition — In a Nebulous State — is already a statement of intent. It evokes a blurred, transforming condition where everything is potential. A cloud of sensations, forms, moods that never quite find a defined shape. “Lately I find that the ‘nebulous’ leads my process into an undefined, atmospheric space,” explains Víctor, “almost like a moment of revelation during the act of creating.”
González’s works are built slowly, with care, but also with the intention of leaving gaps, ambiguity, and breathing room. His abstract spaces open quietly, inviting the viewer to enter through perception rather than concept. “I spend as much time observing as I do painting,” he says. “It’s like a careful listening, as if I’m trying to uncover the painting’s own character.”
Miranda Makaroff, on the other hand, lets herself be channeled. Her practice is a flow, a conduit between body, instinct, and vision. She mixes painting, textiles, and sculpture into vibrant compositions populated by human, animal, and plant creatures. “I’m extremely sensitive, maybe too much!” she confesses. “When I create, I don’t think. It’s like my body becomes an antenna — the gods are whispering, and I just let it flow through me. The work is an extension of my emotional landscape, my inner child, my joy.”
Despite their distinct approaches, both artists share a trust in the senses, in intuition, in the possibility that images can speak for themselves without the need for explanation. The works on view at CAN Art become a kind of free zone, a threshold. “For me, the nebulous is where magic happens,” adds Miranda. “It’s like floating in a dream. I love that uncertainty, the absence of borders. Sharing that space with another artist is like opening a portal together.”
In a Nebulous State is an invitation to slow down, to dwell in what is still unclear. To let the image touch us before it turns into language. To feel, without needing to understand.
ph. courtesy fair @SayanaCairo
