A few years ago, I found myself at one of those art fairs, mostly populated by enthusiasts. Many of the works were already sold during the preview, and what remained for us mere mortals was just a few minutes in front of pieces by the greatest artists of our time and a few super cheap tote bags. For me, after seeing one of Jenna Gribbon‘s paintings, displayed in this absurd temporary space, everything changed.

A few months ago, Regarding Me Regarding You and Me was auctioned by Christie’s for $478,800, as reported by Exibart. The work shows the artist’s wife—a very frequent subject in Gribbon’s works—in a moment of great intimacy. The gestural brushstrokes enhance this sense of closeness and physicality, capturing a gaze that, although initially seeming elusive, reveals intensity and seriousness. Observation is the cornerstone of Gribbon’s works, as she attempts a significant reeducation of the viewer.

Another interesting aspect of Jenna Gribbon’s career is how she reached the pinnacle of the art world. The Art of Making It—a 2021 documentary directed by Kelcey Edwards—also tells how Gribbon achieved success thanks to her savvy social media presence on Instagram. Unfortunately, this precious feature-length film is not available in Italy. Perhaps it’s too bold for a country that provides so little encouragement for young creatives in the art world.

Jenna Gribbon consciously reflects on the relationship between the viewer, the artist, and the subject, showing us the female body in a way that completely diverges from the assumption that cultural producers are always and only men. Essentially, Jenna Gribbon is the sole beacon of hope for those who want an art world free from the burden of the male gaze, from which we have always felt held hostage.