Stranger Than Fiction, reality through Kate Peters’ lens

Stranger Than Fiction, reality through Kate Peters’ lens

Giulia Guido · 1 month ago · Photography

Each photograph tells a story and hides another. Kate Peters‘ pictures tell of beautiful ones.  

Born in the Midlands, Kate became passionate about photography when she was young, following specialized studies in the field. Today she lives and works in London and her work ranges from portraits of people, such as the 32 Olympic promises photographed for the Guardian Weekend Magazine or Julian Assange for the TIME, to the documentation of landscapes. 

Among the works that belong to the latter category is the photographic series Stranger Than Fiction, in which the American landscape is the absolute protagonist. As you can see from the title, Kate Peters pursues those landscapes and places that are part of our imagination when we think of America: dirt roads, motels, police cars, and cafes. 

Discover the shots of Stranger Than Fiction in our gallery.

Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction della fotografa Kate Peters | Collater.al
Stranger Than Fiction, reality through Kate Peters’ lens
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Stranger Than Fiction, reality through Kate Peters’ lens
Stranger Than Fiction, reality through Kate Peters’ lens
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Sinking Ship, Kyle Thompson’s deserted city

Sinking Ship, Kyle Thompson’s deserted city

Claudia Fuggetti · 1 month ago · Photography

Sinking Ship is the new photographic project by Chicago artist Kyle Thompson that this time shows us all the charm of a deserted city in the United States.

Inside and outside alternate in the sequence of the images, to tell that sense of loneliness that remains everything: the silence that the photographs suggest is transformed into an implicit cinematographic narrative. Everything has been left as it is, abandoned to nowhere, only one person lives in the city, who meditates hides and explores in search of something.

Kyle pushes the viewer to confront himself with nothingness, with silence and with his inner self, to push him to ask himself questions, to which there is not always an answer.

Follow Kyle on Instagram here.

Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson's deserted city | Collater.al
Sinking Ship, Kyle Thompson’s deserted city
Photography
Sinking Ship, Kyle Thompson’s deserted city
Sinking Ship, Kyle Thompson’s deserted city
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The All-America, the photographic book about the complex Asian-American male identity

The All-America, the photographic book about the complex Asian-American male identity

Collater.al Contributors · 1 month ago · Photography

Andrew Kung is a young American artist based in Brooklyn who, after a couple of years in LinkedIn as a strategist and analyst, decided to leave the silicon valley and devote himself totally to photography.

His work was soon recognized and appreciated and now boasts collaborations with Vogue Italia, l’uomo vogue, i-d, dazed, paper magazine, new york times and many more.

The title of his latest project is The All-America, a photographic book that tells and illustrates the complex Asian-American male identity. Andrew had never really thought too much about his identity before or at least found it interesting only after traveling south to document the small Chinese population of Mississippi. There he realized how complex it is to be Asian living in America. So he decided to break with conventional stereotypes by providing a platform for those who felt unrepresented in mainstream culture. 

The book is divided into two parts: the first is a selection of images that investigate physical spaces “where Asian-American men have felt invisible”, the second celebrates “the beauty, intimacy, and tenderness of Asian-American men,” he says. Kung’s goal is not only to provide another avenue of representation in the fashion and photography industry but also to question the preconceptions of his audience, educating those “inside and outside the community on the nuanced experiences that all Asian-Americans have”.

The images are placed side by side, bringing to light the confluence of gender and sexuality; the paradox of a man who can be desexualized and over-sexualized at the same time.

Text by Giordana Bonanno.

The All-America, the photographic book about the complex Asian-American male identity
Photography
The All-America, the photographic book about the complex Asian-American male identity
The All-America, the photographic book about the complex Asian-American male identity
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Dead Ringer, Clayton Cotterell’s universal photography

Dead Ringer, Clayton Cotterell’s universal photography

Giulia Guido · 1 month ago · Photography

In English, Dead Ringer means a person or thing that looks a lot like another, a perfect duplicate. Portland photographer Clayton Cotterell has chosen this term as the title of one of his personal projects. 

Cotterell presents us with the state in which he lives, namely Oregon, its landscapes, but also the streets, the lights, the shapes that characterize this place. Desolated scenarios, at sunset, at dawn, in winter or in summer; evidence of the presence of man, a wall, a cd between the tall grass, a hand that caresses the water.

But once he finished shooting, the photographer realized that, without captions and titles, those images could have represented any other place. Dead Ringer is able to ask several questions: what really gives value to an image? His aesthetic, the artistic research behind it or the link between the subject and the viewer? It can heal doubts, like the one that pervades us when we see a photo of places that we think we have already seen. Maybe they only look like something we’ve already seen. 

Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer la fotografia universale di Clayton Cotterell | Collater.al
Dead Ringer, Clayton Cotterell’s universal photography
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Dead Ringer, Clayton Cotterell’s universal photography
Dead Ringer, Clayton Cotterell’s universal photography
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Julie Poly immortalizes today Ukraine in her pictures

Julie Poly immortalizes today Ukraine in her pictures

Claudia Fuggetti · 1 month ago · Photography

Julie Poly, aka Yulia Polyashchenko, was born in Stakhanov, Lugansk, and now lives in Kiev. Her style was strongly influenced by the projects of social documentary filmmaker Boris Mikhailov and her training at the Kharkiv School of Photography.

Combining her strong reportage imprint with her passion for studio photography, Julie has managed to find a personal narrative style that offers strong, well-maintained images. Her scenes interpret the cultural and visual codes of the typical everyday life in Ukraine; in particular, the themes of eroticism, fashion and new models of beauty are proposed.

The artist has stated on several occasions that she is constantly inspired by “trivial things, daily events, stories of friends’ lives and her own experience”.
Through an almost grotesque imaginary, Julie manages to communicate the lifestyle of her country in a contemporary and innovative way.

Take a look at the artist’s website here.

Julie Poly immortalizes today Ukraine in her pictures
Photography
Julie Poly immortalizes today Ukraine in her pictures
Julie Poly immortalizes today Ukraine in her pictures
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