Hiroto Ikeuchi, cyberpunk exoskeletons and Balenciaga

Hiroto Ikeuchi, cyberpunk exoskeletons and Balenciaga

Andrea Tuzio · 3 months ago · Style

A few days ago Balenciaga presented its new Spring/Summer 2022 campaign
The campaign shots were taken by Italian fashion photographer Andrea Artemisio but what caught the attention, much more than the items of the collection, were the dioramas and exoskeletons of the real protagonist of this campaign for SS22, the Japanese designer Hiroto Ikeuchi

The looks of the models, where we find the ready-to-wear, bags and shoes of the French fashion house, are complemented and incorporated by the cyberpunk, cybernetic, exoskeletal works of Ikeuchi. 

 
 
 
 
 
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Un post condiviso da Balenciaga (@balenciaga)

The exoskeleton worn by the model you see up here in one of the campaign shots was designed and made in 2015 in collaboration with Skeletonics. Called the MPS-15sk “Multi”, this special suit also features a tablet built into the front of the armor and speakers installed in the shoulders to play music.
Skeletonics is a team of inventors that will “support the evolution of humankind by launching a new era of technology that expands the range and function of our movements”, thanks to robotic.

The MPS-15sk “Multi” exoskeleton will be displayed at Balenciaga’s flagship in Aoyama, Tokyo, while other of Ikeuchi’s works will be showcased within the fashion house’s Japanese boutiques and the French boutique in Paris-Montaigne.

This collaboration makes us understand even more clearly how the cyberpunk genre, the Japanese one above all (think of the mecha Gundam and the iconic manga Ghost in the Shell, written and drawn by Masamune Shirow), is one of the main points of reference for many contemporary works of art.

Hiroto Ikeuchi was born in 1990 and graduated from Tama Art University in Tokyo. His studio/gallery is located in Asagaya, a residential district of the Japanese capital, where he creates his works that consist of dioramas, masks and exoskeletons built from objects such as cameras, bluetooth headphones, phone cases, virtual reality glasses, telescopes, etc..

Functionality and design represent the core of Ikeuchi’s work. For the realization of his works he relies on the concept of coherence between the story he wants to tell and the robotic-mechanical structure he creates. A ready-made approach that comes directly from kitbashing or scrap building: a practice that consists in creating new scale models by borrowing pieces from commercial kits (or from scrap elements of the same in the case of scrap building) to build other objects. Professional modelers also use kitbashing to create special effects in movies. 

Relevant skills and abilities those of the Japanese designer, able to transform into dreamlike structures, robotic and cyberpunk, small pieces borrowed from kits to build models of the Gundam for example.

To complete the most important works, both from a structural point of view and in terms of dimensions, it takes about three months working 8 hours a day. Ikeuchi carefully selects the small components of the kits, paints them and makes them fit with the rest of the structure, as in a puzzle, giving soul, body, structure and harmony to thousands of different pieces, obtaining unparalleled functionality and scenic effect.

Hiroto Ikeuchi, cyberpunk exoskeletons and Balenciaga
Style
Hiroto Ikeuchi, cyberpunk exoskeletons and Balenciaga
Hiroto Ikeuchi, cyberpunk exoskeletons and Balenciaga
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Cinematography – Normal People

Cinematography – Normal People

Giordana Bonanno · 2 days ago · Photography

If we think about our past, are we able to scan our lives through a plot? I personally find it a bit difficult, what I remember vividly is always accompanied by a feeling, by an emotional state that, beautiful or bad, has enclosed a set of days or moments. Yet we idealize the design of a life in time bands with childhood, adolescence, “middle” adulthood, “advanced” adulthood, etc.. But do we really need to divide the years in this way or are we just trying to justify the ages through this idea? Normal People, the TV series directed by Lenny Abrahamson, made me think about a few things and realize that maybe there’s nothing normal about people, or maybe it’s all too normal.

Released during the summer of 2020, the series is based on the second novel by Irish author Sally Rooney and tells the story of Marianne and Connell, two young people who attend the same high school. His mother works as a housekeeper in the Sheridan’s big house. Connell is a popular athlete and the bright student everyone looks up to. Marianne is “uncool,” grumpy and rebellious despite an impeccable high school career. From this premise, it’s as if we can already have a clear picture of the two guys’ plans, know their lives and even imagine the end. But while all this might be true, the only thing we’ll need to know is that the plot is a secondary source. The story, theirs, is not driven by the events that sanction the beginning and happy ending of something, but by the emotional peaks of the two characters who learn about themselves in the difficulties and moments of discouragement. 

And if the dialogues help us to understand them better, their gestures will be the culmination in which all thoughts will converge; it will seem to us to have lived those sensations and we will almost want to try them again. 

The physical touch allows Marianne and Connell to show emotional vulnerability that is otherwise given to them with incredible difficulty. Ita O’Brien, who helped coordinate these scenes, is the author of a set of guidelines on how to ethically stage erotic scenes; she was the one who helped film another sex-positive modern series, “Sex Education.” Director Abrahamson and coordinator O’Brian wanted the sex in the show to feel open, normal and natural, and somewhat equal to any dialogue-this approach almost literally quotes the way Rooney herself handles the subject matter in the book. And director of photography Susie Lovell says that the main reference on set in terms of nudity and color solutions was a candid series of photographs by Nan Goldin

Speaking of which, it’s worth noting how the visual solutions rhyme with a detached style of storytelling: blue tones even on hot summer days, delicate macro photography and a tactile approach to the set design, heavy curtains, velvet or velvet pleasant to the touch, woolen sweaters, textured bedding, peeling on the ceiling wet locks adhered to the forehead. Where the show lacks depth, it makes up for it with an enveloping atmosphere. Sometimes it’s hard to believe that the episodes last only half an hour – for a story where formally little happens, the experience is very intense. 

Simple but visually striking scenes reminiscent of the work of photographer Julien Lallouette. Born in 1991, Julien is a French art director and photographer, born in Le Havre, and based in London. In addition to commercial work, Julien does personal projects where she focuses on one person at a time. His delicacy lies in leaving space for the subject, to tell someone’s story through the habits and gestures trapped in the photos. Visiting her site you can find different series of shots, each dedicated to a different person and titled with the name of the protagonist. Friends, acquaintances, but also models are portrayed in domestic and intimate environments where they have the freedom to show themselves as they really are.

The question most remains this: are we all perfect or are we just imperfectly normal people? Sally Rooney says “what if we admit extreme individualism is unsustainable and try to find the meaning of life in a variety of contacts with others?” What we seek is the possibility of being ourselves while remaining close to others.

Did you know: After filming wrapped, Paul Mescal gave his character’s signature chain necklace as a gift to Daisy Edgar-Jones.

Genre: Romance

Director: Lenny Abrahamson

Director of photography: Suzie Lavelle

WritersSally Rooney, Alice Birch, Mark O’Rowe

Stars: Paul Mascal, Daisy Edgar-Jones

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JF Julian photos are a passe partout

JF Julian photos are a passe partout

Tommaso Berra · 3 days ago · Photography

JF Julian is the passe partout of a grand hotel, giving access to rooms where lonely, melancholic and beautiful women stay, undressed and lying on beds. With their gaze pointing towards nowhere, the four women portrayed by the Paris-born photographer seem to live inside a film noir, in which an unexplored psychological abyss emerges.
The magical realism of these photographs creates almost surreal settings, where you can’t tell where the light is coming from and where the objects that furnish the room are never where you would expect to find them. The loneliness shrouded in darkness is disturbing, from the aridity only the natural eroticism of the bodies is saved, rendered through poses that enhance anatomical angles and body tensions.

After entering the rooms of this hotel, you can check out all of JF Julian’s projects on Instagram or on the artist’s website.

Models:
Silvy
Katrina
Sofia
Ephelis

JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
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InstHunt – The 10 best photos on Instagram this week

InstHunt – The 10 best photos on Instagram this week

Giulia Guido · 1 week ago · Photography

Every day, on our Instagram profile, we ask you to share with us your most beautiful pictures and photographs.
For this InstHunt collection of this week we have selected your 10 best proposals: @laurapasini3, @valerycia, @boryskulikovskyi, @polae.jpg, @paola_francesca_barone, @vrtivstic, @laura.mangelli, @nicole_depergola, @defalcotina, @jesuis_claire.

Tag @collateral.photo to be selected and published on the next InstHunt.

InstHunt – The 10 best photos on Instagram this week
Photography
InstHunt – The 10 best photos on Instagram this week
InstHunt – The 10 best photos on Instagram this week
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Why aren’t you here tonight?

Why aren’t you here tonight?

Tommaso Berra · 1 week ago · Photography

Impossible to fall asleep, the thought of the other night is pushing in, gripping my stomach with five fingers.
I just wanted to fuck him and now I’m already addicted to the power with which he held my neck. I can still feel the contact between his warm chest and my shivering back, I miss him a little.
There have been nights of which I have confused memories, lost among a thousand useless details, but now I have a clear idea of what I have been denied in this room paved with parquet and adorned with a few plants. I try to fill the lacks, making my body remember gentle gestures, gentle because they seek my lifeblood, they reach up to see the violence of my thoughts.

Paulina Masenina‘s photos are the story, illustrated and written, of an unfulfilled sexual desire. An erotic and desperate journey of a need for mental and physical contact. The bed is still empty, the room desolate, in the head considerations of a night gone wrong: “How many orgasm missed?“, “I can’t breathe thinking of us not fucking in this bed“.

Discover HERE all the shots by Paulina Masenina.

Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
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