Realpolitik: Luca Santese and Marco P. Valli capture the true face of Italian politics

Realpolitik: Luca Santese and Marco P. Valli capture the true face of Italian politics

Giulia Guido · 3 years ago · Photography

There are many artists who say they are inspired by what surrounds them, by what happens around them, but most of the time in their works we find a world far away from ours. The photographic project Realpolitik: La Terza Repubblica by Luca Santese and Marco P. Valli, edited by the independent publishing house Cesura Publish, on the other hand, finally gives us back a perceptible reality, which we live with and deal with every day and for this reason not always pleasant. The undisputed protagonist of their work is nothing less than Italian politics and the personalities who represent it. 

With Realpolitik, the two photographers have managed and continue to give us the truest portrait of the Governo Conte, from the time it took its first steps to the present day, following all the phases.

The first chapter of this journey is called Boys, Boys Boys, a volume that collects the portraits of politicians competing during the last elections and published exactly on March 4, 2018, the day in which Italian citizens were called to give their vote. This volume is famous for the shot of Matteo Salvini, which appeared on the cover of Time on 24 September. 

Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Boys Boys Boys | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Boys Boys Boys | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Boys Boys Boys | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Boys Boys Boys | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Boys Boys Boys | Collater.al

A few months later, exactly on June 2, while the second edition of Boys, Boys, Boys is printed in black and white, Luca and Marco are in Rome to capture the highlights of the celebrations for the anniversary of the birth of the Republic, but also to capture the demonstration of the Movimento Cinque Stelle (M5S), initially born to protest against the decision of President Mattarella not to support the new government and, then, turned into a huge celebration for vote of confidence was obtained. 

All the photographic material collected thus formed the third volume Popolopopolo.

Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Popolopopolo | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Popolopopolo | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Popolopopolo | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Popolopopolo | Collater.al

The two photographers are not tired of these public events that, in a period that has seen the mass moving away from politics, see the people take to the streets and actively participate in rallies and party parties and then, in July 2018 go to Pontida. All the photographic material is collected in the volume entitled Lega Nord Party.

Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Lega Nord Party | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Lega Nord Party | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Lega Nord Party | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura Lega Nord Party | Collater.al

Now, we are not here to do politics and/or polemics, we do not want to analyze the work of the current government and we do not want to take any position, but we can say one thing: perhaps because of, or thanks to, personalities like Salvini, the boom of social networks, the spectacularization of politics, the overlapping of figures like the politician and the VIP, it seems that this government more than others has given the country something to talk about (for better or for worse) and has given Luca and Marco further material to collect in the fifth chapter of Realpolitik, MoVimento Lento

The project supported by Cesura Publish is an experiment, but also a satirical analysis of what is around us, of what, willingly or unwillingly, affects the lives of each of us. 

Realpolitik Movimento Lento Luca Santese Marco Valli Cesura MoVimento Lento | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura MoVimento Lento | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura MoVimento Lento | Collater.al
Realpolitik Movimento Lento Luca Santese Marco Valli Cesura MoVimento Lento | Collater.al
Realpolitik: Luca Santese and Marco P. Valli capture the true face of Italian politics
Photography
Realpolitik: Luca Santese and Marco P. Valli capture the true face of Italian politics
Realpolitik: Luca Santese and Marco P. Valli capture the true face of Italian politics
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Cinematography – Normal People

Cinematography – Normal People

Giordana Bonanno · 5 days ago · Photography

If we think about our past, are we able to scan our lives through a plot? I personally find it a bit difficult, what I remember vividly is always accompanied by a feeling, by an emotional state that, beautiful or bad, has enclosed a set of days or moments. Yet we idealize the design of a life in time bands with childhood, adolescence, “middle” adulthood, “advanced” adulthood, etc.. But do we really need to divide the years in this way or are we just trying to justify the ages through this idea? Normal People, the TV series directed by Lenny Abrahamson, made me think about a few things and realize that maybe there’s nothing normal about people, or maybe it’s all too normal.

Released during the summer of 2020, the series is based on the second novel by Irish author Sally Rooney and tells the story of Marianne and Connell, two young people who attend the same high school. His mother works as a housekeeper in the Sheridan’s big house. Connell is a popular athlete and the bright student everyone looks up to. Marianne is “uncool,” grumpy and rebellious despite an impeccable high school career. From this premise, it’s as if we can already have a clear picture of the two guys’ plans, know their lives and even imagine the end. But while all this might be true, the only thing we’ll need to know is that the plot is a secondary source. The story, theirs, is not driven by the events that sanction the beginning and happy ending of something, but by the emotional peaks of the two characters who learn about themselves in the difficulties and moments of discouragement. 

And if the dialogues help us to understand them better, their gestures will be the culmination in which all thoughts will converge; it will seem to us to have lived those sensations and we will almost want to try them again. 

The physical touch allows Marianne and Connell to show emotional vulnerability that is otherwise given to them with incredible difficulty. Ita O’Brien, who helped coordinate these scenes, is the author of a set of guidelines on how to ethically stage erotic scenes; she was the one who helped film another sex-positive modern series, “Sex Education.” Director Abrahamson and coordinator O’Brian wanted the sex in the show to feel open, normal and natural, and somewhat equal to any dialogue-this approach almost literally quotes the way Rooney herself handles the subject matter in the book. And director of photography Susie Lovell says that the main reference on set in terms of nudity and color solutions was a candid series of photographs by Nan Goldin

Speaking of which, it’s worth noting how the visual solutions rhyme with a detached style of storytelling: blue tones even on hot summer days, delicate macro photography and a tactile approach to the set design, heavy curtains, velvet or velvet pleasant to the touch, woolen sweaters, textured bedding, peeling on the ceiling wet locks adhered to the forehead. Where the show lacks depth, it makes up for it with an enveloping atmosphere. Sometimes it’s hard to believe that the episodes last only half an hour – for a story where formally little happens, the experience is very intense. 

Simple but visually striking scenes reminiscent of the work of photographer Julien Lallouette. Born in 1991, Julien is a French art director and photographer, born in Le Havre, and based in London. In addition to commercial work, Julien does personal projects where she focuses on one person at a time. His delicacy lies in leaving space for the subject, to tell someone’s story through the habits and gestures trapped in the photos. Visiting her site you can find different series of shots, each dedicated to a different person and titled with the name of the protagonist. Friends, acquaintances, but also models are portrayed in domestic and intimate environments where they have the freedom to show themselves as they really are.

The question most remains this: are we all perfect or are we just imperfectly normal people? Sally Rooney says “what if we admit extreme individualism is unsustainable and try to find the meaning of life in a variety of contacts with others?” What we seek is the possibility of being ourselves while remaining close to others.

Did you know: After filming wrapped, Paul Mescal gave his character’s signature chain necklace as a gift to Daisy Edgar-Jones.

Genre: Romance

Director: Lenny Abrahamson

Director of photography: Suzie Lavelle

WritersSally Rooney, Alice Birch, Mark O’Rowe

Stars: Paul Mascal, Daisy Edgar-Jones

Cinematography – Normal People
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Cinematography – Normal People
Cinematography – Normal People
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JF Julian photos are a passe partout

JF Julian photos are a passe partout

Tommaso Berra · 6 days ago · Photography

JF Julian is the passe partout of a grand hotel, giving access to rooms where lonely, melancholic and beautiful women stay, undressed and lying on beds. With their gaze pointing towards nowhere, the four women portrayed by the Paris-born photographer seem to live inside a film noir, in which an unexplored psychological abyss emerges.
The magical realism of these photographs creates almost surreal settings, where you can’t tell where the light is coming from and where the objects that furnish the room are never where you would expect to find them. The loneliness shrouded in darkness is disturbing, from the aridity only the natural eroticism of the bodies is saved, rendered through poses that enhance anatomical angles and body tensions.

After entering the rooms of this hotel, you can check out all of JF Julian’s projects on Instagram or on the artist’s website.

Models:
Silvy
Katrina
Sofia
Ephelis

JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian | Collater.al
JF Julian photos are a passe partout
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JF Julian photos are a passe partout
JF Julian photos are a passe partout
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InstHunt – The 10 best photos on Instagram this week

InstHunt – The 10 best photos on Instagram this week

Giulia Guido · 2 weeks ago · Photography

Every day, on our Instagram profile, we ask you to share with us your most beautiful pictures and photographs.
For this InstHunt collection of this week we have selected your 10 best proposals: @laurapasini3, @valerycia, @boryskulikovskyi, @polae.jpg, @paola_francesca_barone, @vrtivstic, @laura.mangelli, @nicole_depergola, @defalcotina, @jesuis_claire.

Tag @collateral.photo to be selected and published on the next InstHunt.

InstHunt – The 10 best photos on Instagram this week
Photography
InstHunt – The 10 best photos on Instagram this week
InstHunt – The 10 best photos on Instagram this week
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Why aren’t you here tonight?

Why aren’t you here tonight?

Tommaso Berra · 2 weeks ago · Photography

Impossible to fall asleep, the thought of the other night is pushing in, gripping my stomach with five fingers.
I just wanted to fuck him and now I’m already addicted to the power with which he held my neck. I can still feel the contact between his warm chest and my shivering back, I miss him a little.
There have been nights of which I have confused memories, lost among a thousand useless details, but now I have a clear idea of what I have been denied in this room paved with parquet and adorned with a few plants. I try to fill the lacks, making my body remember gentle gestures, gentle because they seek my lifeblood, they reach up to see the violence of my thoughts.

Paulina Masenina‘s photos are the story, illustrated and written, of an unfulfilled sexual desire. An erotic and desperate journey of a need for mental and physical contact. The bed is still empty, the room desolate, in the head considerations of a night gone wrong: “How many orgasm missed?“, “I can’t breathe thinking of us not fucking in this bed“.

Discover HERE all the shots by Paulina Masenina.

Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Why aren’t you here tonight?
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