To defend the rural district of La Punta, a piece of history of the city of Valencia, the most important names of the current street art scene have taken to the streets to give their support to the organization Horta és Futur No a la ZAL.

Escif, Aryz, Borondo, Hyuro, Elìas Taño, BLU, Luzinterruptus, Daniel Munoz SAN and many others, with the aim of protecting the area and the families that live there from the ZAL (Zone of logistic activities), an operation that will see the area of La Punta become a useful place for port activities, have given rise to a series of works which, together with the resistance of the citizens, aims to stop the destructive progress of this project which has already caused much damage to the territory, forcing some of the inhabitants to abandon it.
All the works are inspired by the sufferings of citizens caused by the injustices that they are experiencing.

Aryz portrayed the church built with the local population money, which is difficult to reach today because of the railway line that has been positioned between the houses and the little church.

Escif has created Hay Lechugas, a work that aims to highlight the problem of destroyed fields, and a mural that represents two hands that protect the small neighborhood.

Hyuro painted a large image with a young vandal armed with tomatoes.

Elìas Taño wanted to pay tribute to the strength of the people who fight against politicians and the port authority.

BLU wanted to represent, with an evocative and complex work, how the port authority of Valencia is exploiting the work of citizens treating them as slaves.

Borondo has, instead, created 3 different interventions, one of which is more traditional, a hand on a broken wall accompanied by the word “ASILO” and another 2 pieces on rice haystacks commonly used for the roof’s construction.
The first, burnt immediately after completing it, showed the head of Goliath, the second objects and fruits typical of the place that now no longer exist.