Graphics by Indig0 are a journey through parallel worlds

Graphics by Indig0 are a journey through parallel worlds

Claudia Fuggetti · 4 years ago · Design

Indig0 on Instagram has conquered an audience that counts more than 156 thousand followers and it seems that this number of followers is destined to grow. Anyone who has finished on a page of graphics, art and photography, will certainly have seen the work of this artist of which very little is known: on the IG profile there is a selfie of her, which you can find at the end of the gallery, accompanied by the title “Acid Rain” by Lorn.

Just take a look at the combination of images produced by her, to understand that the fundamental elements of her creations are the boundaries to be overcome to access new worlds made of suspended galaxies, of flowers that come out in the most unthinkable and only ardent places from the post-apocalyptic appeal. All these elements constitute a well-defined style, which makes Indig0 well recognizable.

Visit Indig0’s Instagram page and take a look at our gallery.

Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al 6 Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al 6Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al Le grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.alLe grafiche di Indig0 sono un viaggio tra mondi paralleli | Collater.al 15

Graphics by Indig0 are a journey through parallel worlds
Design
Graphics by Indig0 are a journey through parallel worlds
Graphics by Indig0 are a journey through parallel worlds
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Photos by Andres Gallardo for MAD Architects

Photos by Andres Gallardo for MAD Architects

Claudia Fuggetti · 4 years ago · Design

Photographer and architecture enthusiast Andres Gallardo made a series of shots at the Harbin Opera, signed by the Beijing studio MAD Architects. Harbin is nicknamed “ice city” because it is the coldest place in China that touches temperatures like -38 degrees Celsius in winter; but it is not only known for its harsh climate, but also for the great musical tradition of the place, dating back to the mid-twentieth century.

For this reason, in 2015 MAD Architects created the impressive opera house, a project documented by Andres Gallardo that emphasizes the formal qualities of the structure in relation to the climatic conditions, such as ground snow. The sinuosity of the shapes is expertly highlighted by the compositive accuracy and the cutting of the images, for a new and fresh vision of an author.

If you want to know more, visit the photographer’s website and MAD Architects.

Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.alLe foto di Andres Gallardo per MAD Architects | Collater.alLe foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al Le foto di Andres Gallardo per MAD Architects | Collater.al

Photos by Andres Gallardo for MAD Architects
Design
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100 years of Bauhaus, a reinterpretation of cult chair S 533

100 years of Bauhaus, a reinterpretation of cult chair S 533

Claudia Fuggetti · 4 years ago · Design

Thonet celebrates the 100th anniversary of the Bauhaus with a limited edition of the cult cantilever chair S 533 F by Ludwig Mies van der Rohe. The project was developed by two well-known designers from Hamburg Besau and Marguerre, who created a variant of the historic model, adding armrests and new colors that more than ever make up a design model that seems to have no age.

The two new variants come with a pearly chrome frame combined with the leather material; the first in shades of anthracite, the second champagne color. Both have been designed specifically for the centenary to add a luxury and functional touch to the original model. As the two designers say:

“L’impiego volutamente limitato di materiali, l’eleganza delle linee e la trasparenza nell’effetto, caratteristiche peculiari del modello S 533, ci hanno suggerito di riprendere il concetto ‘less is more’ di Mies van der Rohe ricercando, allo stesso tempo, il contrasto fra funzionalità e morbidezza”.

Two complementary chairs have emerged from the project, which you can find here.

100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al   100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al    100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al    100 anni di Bauhaus, la rivisitazione della sedia cult S 533 | Collater.al

100 years of Bauhaus, a reinterpretation of cult chair S 533
Design
100 years of Bauhaus, a reinterpretation of cult chair S 533
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Tomatito, a corner of Spain in the center of Saigon

Tomatito, a corner of Spain in the center of Saigon

Giulia Guido · 4 years ago · Design

A short time ago, in the district 1 of Saigon (Ho Chi Min) in Vietnam, it opened a restaurant with a Spanish air. The Tomatito, designed by MTMDESIGN, is located right next to the iconic Ben Than Market, in an old 1930s building that used to be a warehouse. Today it is a small piece of Spain where you can find the design, colors, food, and climate of this country. 

The restaurant, which can accommodate about 100 people, is divided into three spaces: lounge, dining room and bar with a semi-open kitchen.

The style is the same you can find in a classic tapas bar walking through the streets of Barcelona, with strong use of red, metal inserts and neon lights, such as the inscription Tomatito above the bar counter overlooking the room. The decoration consists of wallpapers with original patterns, objects from Spanish markets, sculptures that pay homage to Picasso’s bullheads and bullfighting clothes. In addition to being an encounter between two different cultures, the Tomatito is also a mix of styles and eras.

MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al        MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al MTMDESIGN Tomatito | Collater.al

Tomatito, a corner of Spain in the center of Saigon
Design
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A red brick studio for photographer Graciela Iturbide

A red brick studio for photographer Graciela Iturbide

Claudia Fuggetti · 4 years ago · Design

Famous Mexican photographer Graciela Iturbide asked Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo to create a studio a few steps from her home in Barrio del Niño Jesús, Mexico City. The project is all in the family, in fact, Mauricio Rocha is Iturbide and architect Manuel Rocha Diaz’s son, who together with Gabriela Carrillo founded Taller de Arquitectura. The team’s philosophy is:

“To translate the traditions and materials of the places in which we operate in a contemporary way, not through fashionable forms or fireworks, but with silence, space, the experience of emptiness”.

The architecture, according to the duo, must give an answer in relation to the “place in which we live and our economic and social situations“: this approach is particularly evident in the studio created for Iturbide. The building is spread over three floors, characterized by the material of red bricks, able to give warmth and familiarity to the surrounding space, without ever making those inside it feel oppressed thanks to the holes on the bricks. The mosaic floors and the interlocking walls give a great harmony to the structure, which is not heavy in form, while the final touch is given by the plants, the large windows, and the two semi-enclosed courtyards.

Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al  Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al Uno studio di mattoni rossi per la fotografa Graciela Iturbide | Collater.al

A red brick studio for photographer Graciela Iturbide
Design
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