Kaisar Ahamed and “a thousand of gardens” that no longer exists

Kaisar Ahamed and “a thousand of gardens” that no longer exists

Tommaso Berra · 1 year ago · Photography

The Hazaribagh district in the city of Daka, Bangladesh, means “the city of a thousand gardens” in the Farsi language, and the name gives an idea of what the landscape was like before leather factories polluted everything.
Photographer Kaisar Ahamed has chronicled in his latest project the landscape around the Buriganga River, rendered biologically dead by the poisons poured into the waters by the tanneries. The course of the river now appears as an unreal landscape, the setting for an apocalyptic film in which the dirty water becomes an element of terror rather than life.
Kaisar Ahamed is a chemist, but he chose to conduct his analysis of Hazaribagh’s water through photography. He took water samples taken from the Buriganga River at different locations, building a kind of laboratory in which photography helps tell the story of an environmental disaster.
The title “A Thousand of Gardens” thus sounds somewhat ironic, a mockery to which the viewer is immediately made aware.

You can support the publication of a volume dedicated to the work of photographer Kaisar Ahamed through the fundraiser launched by SelfSelf, click here to find out how you can help make this photography project a reality.

Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed | Collater.al
Kaisar Ahamed and “a thousand of gardens” that no longer exists
Photography
Kaisar Ahamed and “a thousand of gardens” that no longer exists
Kaisar Ahamed and “a thousand of gardens” that no longer exists
1 · 8
2 · 8
3 · 8
4 · 8
5 · 8
6 · 8
7 · 8
8 · 8
InstHunt – The 10 best photos on Instagram this week

InstHunt – The 10 best photos on Instagram this week

Tommaso Berra · 1 year ago · Photography

Every day, on our Instagram profile, we ask you to share with us your most beautiful pictures and photographs.
For this InstHunt collection of this week we have selected your 10 best proposals: @kevin.ponzuoli, @fad_foodandartdiary, @andrea_detto_elvis_schiavinato, @clementina_artist, @fotomarginali, @ele.naus, @169lollo, @sara_gram._,@yleniaboccarellaf1, @phkopusova.

Tag @collateral.photo to be selected and published on the next InstHunt.

InstHunt – The 10 best photos on Instagram this week
Photography
InstHunt – The 10 best photos on Instagram this week
InstHunt – The 10 best photos on Instagram this week
1 · 1
Michele Battilomo and what remains of Basilicata

Michele Battilomo and what remains of Basilicata

Tommaso Berra · 1 year ago · Photography

Going away for work or study from the province, especially in the south, in many cases becomes a final farewell, and one’s own remote town becomes only a summer destination in which to find family ties and little else. Michele Battilomo from Basilicata has never left, Matera has remained his home and over the years the subject of his photographic series.
As a self-taught photographer, he began his career under the stages of musical events, with the lights of lighthouses creating color shows that helped him become aware of the importance of light management in photography as well.

Michele Battilomo’s goal is to enhance the subject, put him at the center and understand his relationship with the land, the relationship between the individual and a shrinking community, while what remains seems even more symbiotic with its context.
The photographer’s production, however, like these photographs in the Lonely Boy and De-Population series, does not consist of a reportage of the depopulation of Basilicata. Bettilomo wants to try to spectacle the everyday, that which by nature is not spectacle as it is motionless and traversed by a slowly unfolding energy. The contrast and the ambiguous, the ironic and the disquieting, a theater of the absurd staged by a company of ordinary people, oscillating between fantasy and a desire for redemption.

Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo | Collater.al
Michele Battilomo and what remains of Basilicata
Photography
Michele Battilomo and what remains of Basilicata
Michele Battilomo and what remains of Basilicata
1 · 22
2 · 22
3 · 22
4 · 22
5 · 22
6 · 22
7 · 22
8 · 22
9 · 22
10 · 22
11 · 22
12 · 22
13 · 22
14 · 22
15 · 22
16 · 22
17 · 22
18 · 22
19 · 22
20 · 22
21 · 22
22 · 22
Varese for Marco Barbieri is the common place of family

Varese for Marco Barbieri is the common place of family

Tommaso Berra · 1 year ago · Photography

Varese is a middle town, about 40 minutes from places considered more interesting, Switzerland, or Milan for example. The province of Varese for photographer Marco Barbieri is “the common place of family. It is a father dedicated to work and a mother who is moved every time you leave and when you come back just asks ‘what shall I make you to eat?’
The family by definition is a place governed by a mutual sense of protection, which slows the pace by creating a suspension, and so is the province of Varese.

Marco Barbieri | Collater.al

The photographic project “THE BLUE GREEN LAND” aims to represent this sphere of sensations that makes an area of Italy historically linked to work perceived as blocked and flat.
The title “blue and green land” almost seems to be ironic about an area that has nothing sensational about it, as well as the atmospheres photographed by Marco Barbieri, which return a melancholic, almost desert-like or abandoned landscape. Man does not participate, or perhaps he is working, or perhaps he is at home preparing food for the evening.

You can support the publication of a volume dedicated to the work of photographer Marco Barbieri through the fundraiser launched by SelfSelf, click here to find out how you can help make this photography project a reality.

Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Marco Barbieri | Collater.al
Varese for Marco Barbieri is the common place of family
Photography
Varese for Marco Barbieri is the common place of family
Varese for Marco Barbieri is the common place of family
1 · 9
2 · 9
3 · 9
4 · 9
5 · 9
6 · 9
7 · 9
8 · 9
9 · 9
The search for the “historical future” in Vittoria Mazzonis’ shots

The search for the “historical future” in Vittoria Mazzonis’ shots

Tommaso Berra · 1 year ago · Photography

How many tools do we have to know our past? We can read books, rummage through old documents, an oral tradition to be passed from generation to generation, or in some cases stop time and what is in front of us, to analyze it as if we were in a laboratory. This can be done through photography, exactly as in the case of Vittoria Mazzonis, an artist specializing in the visual arts who recently presented her project “Futuro Storico.”
The photographic series aims to learn about her own family, linked to the world of Piedmontese textiles. The shots of some abandoned buildings become a tool to tell and learn about a personal story, which becomes that of an entire community, invested by the passage of time.

Objects and scrap are abandoned in corners of bare buildings. In the emptiness it is possible to hear the sound of machines once essential to textile production. Images of an Industrial boom era that defined the identity of entire families and towns, especially in the Italian province.
You can support the publication of a volume dedicated to the work of photographer Vittoria Mazzonis through the fundraiser launched by SelfSelf, click here to find out how you can help make this photographic project a reality

Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
Vittoria Mazzonis | Collater.al
The search for the “historical future” in Vittoria Mazzonis’ shots
Photography
The search for the “historical future” in Vittoria Mazzonis’ shots
The search for the “historical future” in Vittoria Mazzonis’ shots
1 · 8
2 · 8
3 · 8
4 · 8
5 · 8
6 · 8
7 · 8
8 · 8