A 2018 repot by the National Museum of Women in the Arts revealed that works by female artists in the main European museums account for only 13% of the total, a disproportion certainly linked to the role of women in history but unjustifiable if we consider the contemporary art circuit. At the Fotografiska in New York, a fundamental exhibition is about to open in relation to this negative trend, featuring the photographs of thirty women artists. The images in the “NUDE” exhibition depict a creative nude that is a clear departure in terms of intentions and vision from pornography, as this artistic expression is often identified by a superficial public and, more seriously, by the algorithms that delete the work of creators on social networks. The intention of the algorithms to defend the cultural sensitivity of its users contrasts in the exhibition with the twenty different nationalities of the photographers.

NUDE starts from a female point of view and an interpretation of the body and femininity, following a fluid vision of gender identity and sexual identification. The portraits tell stories in which there is no binary definition of the nude, which is not only male or female but can undergo transitory phases, during which we can see the signs of operations on the skin.
The director of global exhibitions at Fotografiska Johan Vikner stated “This collection of contemporary female artists using the nude body as their language, be it their own or others, for the sake of art, beauty, representation, self-expression, as a subject and object, is an example of what this new nude is and what it looks like.”
Among the artists exhibiting at NUDE will be, among others Malerie Marder, Dana Scruggs, Julia SH, Bettina Pittaluga and Momo Okabe.
NUDE opens at Fotografiska New York on February 11, and will be on view until May 1.






















