A performative dimension also animates the works: the presence of a dancer who interacts with the mirrors and sets their rotation in motion completes the experience, creating a dialogue between body and object, between silence and movement. Each rotation, each reflection, becomes part of a larger choreography that encompasses space, time, and the spectator.

Situated in the heart of Paris, the installation is an example of how design can become a collective, sensorial experience, bringing together traditional techniques and contemporary languages. Spinning Around does not ask only to be observed, but to be lived: it is an invitation to slow down, to enter a flow of images and echoes, and to let yourself be carried by a movement with no end.