Balenciaga’s non appreciated copycats

Balenciaga’s non appreciated copycats

Collater.al Contributors · 5 years ago · Style

A brand with an important history behind but that had never been so much discussed like it has from 2015. From the advent of new creative director Demna Gvasalia, Balenciaga can’t stop being a topic of discussion and debate, dealt with the same fervor by media outlets and kids. The fact the Georgian designer deliberately draws inspiration from middle class symbols, proposing them at expensive prices, is no big news. From the Chinese beauty slippers of 2016, to the last claim to court from the company Arbre Magique. Demna subverted the roles of the parties usually involved within the real-fake mechanisms, introducing symbols of popular mundanity from a luxury brand.

Here follow the cases in which his homage has not been appreciated:

Ikea

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al 5In 2017, the tote bag Arena blue was launched, a bag resembling the design and proportion of the practical Ikea shopper. The difference lays in the material implied: Made in Italy leather in the first case, plastic in the second. Ikea, however, responds claiming the qualities its original design: it can hold heavy weights, even bricks and water, it can be simply washed with a garden hose and its price is only 0.99$ (against 2145$).

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al 4

SwizzBeatz

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al 5

A few months later on that same year, music producer Swizz Beatz publicly charges on Instagram Balenciaga to have copied the design of the shirt produced by Ruff Ryders, the record label funded by his uncles. On the shirt, the R was changed with a B, and the sentence below “Ruff Ryders or Die” with “The Power of Dreams”. Later, Gvasalia responded saying his was a “homage”.

 

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CityMerch

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al 6

After the debut of the Resort18 collection, Balenciaga was sued by New York based souvenir company City Merch, which claims a violation of copyright infringement. The landscape printed on bags, keyrings and merchandising of the various souvenir stores was displayed on bags and sweatshirts of the Parisian brand. City Merch, with their accusation, expected to receive part of the earnings gained thanks the copy of its design but what they got instead was simply the retirement of these products from the US market, but not from the international one.

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al 2

Arbre Magique

Le copie non gradite di Balenciaga degli ultimi due anni | Collater.al

Last week the latest lawsuit arrived from the company of Arbre Magique and Julius Samann Ltd., who claim the copycat of their LittleTree AirFreshner. The design is identical, and even the colors, typically associated with a specific fragrance in the original product. It’s not the first time that the design of the scented little trees gets decontextualized, the Car Freshner Corporation had just allowed Anya Hindmarch the use of its design for the labels of bags and luggages. In the Balenciaga case, however, the company wants to avoid confusion with what isn’t an authorized collaboration and asks for the withdrawal of the product from production and distribution and a compensation for the earnings obtained with it.

Text by Enrica Miller

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Strange is beautiful, Fish Zhang’s NSFW shots

Strange is beautiful, Fish Zhang’s NSFW shots

Claudia Fuggetti · 6 days ago · Photography

Fish Zhang, bettern known on Instagram with the name fiiiiiish, is a young photographer from Tokyo who tells the world around her. Her look is very particular and often, the images she offers to the public, generate a feeling of uncertainty and destabilization, which are summed up well with the word “weird”. Poses are dampened by a narrative mood that tends more to seize the moment than to illustrate every single detail of a story. Sexuality finds ample space in her photographic production, which reminds us in part Ren Hang‘s style. The woman is represented without artifice, but with simplicity and realism, although in the shots there is a great sense of composition.

Visit Fish’s website and take a look at her work in the gallery.

Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al
Strano è bello, gli scatti NSFW di Fish Zhang | Collater.al

Courtesy Fish Zhang

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The party world of Nicolò Rinaldi

The party world of Nicolò Rinaldi

Collater.al Contributors · 5 days ago · Photography

The Italian street and lifestyle photographer Nicolò Rinaldi embarks on a genuine exploration of the everyday world through photography. After starting with landscapes and outdoor photography, Rinaldi specializes in documentary and street photography, identifying clichés and embracing the ordinary in crowded situations. In the series Mondo Mondano, Rinaldi delves into the heart of social nightlife. The vibrant fabric of parties and festivals pulsates in his shots, reflecting the eccentricity of the contemporary scene. Glitter, drinks, strobe lights, sunglasses intertwine with tattoos, kisses, shouts, and extravagant hats in a captivating social inquiry. All captured on film, transcending time and opting for a more authentic narrative.

Courtesy Nicolò Rinaldi

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Laura Baiardini is our Christmas’ Grinch

Laura Baiardini is our Christmas’ Grinch

Giorgia Massari · 5 days ago · Photography

We are now in the midst of the holiday season, a time when everyone seems a bit kinder and more romantic, but also when some enjoy a touch of irony. Amidst various memes and Instagram posts, what amused us most were the photographs by Laura Baiardini (on Instagram @baiardiny), specializing in still life photography, photo post-production, and a passion for props and color palettes. With an extremely contemporary aesthetic and vibrant colors, Baiardini’s images capture attention for their humor and meticulously crafted compositions, akin to a movie set. Her inspiration primarily stems from social media and everything around her, «even from an Esselunga meat jelly». Through these specific shots, Laura Baiardini highlights an unusual side of the holiday season that, deep down, we all experience. From terrible gifts to family psychodramas, we all come out feeling exhausted and full, in every sense. But let’s not dwell too long—enjoy scrolling through the images.

Torta realizzata da Ugly Cakes
Set designer Paolo Lutri
Set designer Erika Viola
Set designer Erika Viola
Estelle Segard
Set designer Erika Viola
Set designer Erika Viola
Set designer Erika viola
Set designer Paolo Lutri

Courtesy Laura Baioni

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What happens when the phone gallery becomes a photo project?

What happens when the phone gallery becomes a photo project?

Giorgia Massari · 1 week ago · Photography

«A risky project, a bit like writing,» Catanian photographer Salvo Sibilla explains when talking to us about his street photography project entitled Sani e Salvi. It is a project that was not born to be so. A collection of private amateur shots, taken with an iPhone, that take on a public dimension. It all begins in 2020 when Salvo starts shooting on the street, partly to seek company in a new city-which in the case of Milan is capable of making you feel very lonely, and partly to capture the extravagance around him that he was not used to. In the summer of 2022 he decided to go public and share part of his smartphone gallery. Salvo encapsulates in one project his amateur shots “full of lights, faces and lives,” as his collaborator and friend Loris Di Bella puts it. Stripped of their intimate dimension, the “anti-ethical” photographs – using Salvo’s words – come to life by dialoguing with each other and realizing the presence of a great common denominator: immediacy layered with extravagance.

Sani e Salvi does not stay only in Milan. He travels different streets and different cities, from Milan to Amsterdam, from Rotterdam to Sestri Levante, from Finale Ligure to Pedara, and finally from Bologna to Catania, Salvo Sibilla’s hometown. Salvo’s favorite subjects are elderly people, he himself tells us the reason for this choice. «The first reason, the most human one, is because they remind me of my grandparents, the people I miss the most since I moved to Milan. I am a very romantic person, so I look for this aspect in my shots as well. In older people I find the same pure and kind soul of my grandparents».

This project becomes for Salvo Sibilla a kind of adaptation therapy in a new city. Coming from Catania and landing in Milan, the cultural differences are many. «I liked walking in the street and observing everything around me. Coming from a small town like Catania, unfortunately you are born with stereotypes and mental limitations. When I arrived in Milan, these visual limits began to fall away, all those aspects that I initially judged as extravagances became normality today». The photographs thus become a way of relating to the new everyday life and, at the same time, of discovering a new city. In this sense, it is interesting to emphasize Salvo Sibilla’s photographic approach, which he himself describes as “somewhat anti-ethical.” «My technique is to act like a tourist. I stop by pretending to look for a street and take the photograph of the person, very closely,» he explains, «Very often older people do not notice it, as well as my grandparents although they, with time, have learned to recognize my methodology and now they are very happy when I take them, they feel a bit like the protagonists».

«Sani e Salvi can be said to have been born recently and still has everything to discover and to have come to the end, gaining wisdom,» we read again in Loris Di Bella’s text. Therefore, the project does not end here; on the contrary, it becomes for Salvo Sibilla a starting point that has taught him «to never give up,» as Salvo confesses to us, who closes the interview by quoting the phrase of a friend of his: “keep doing what you do regardless of everything and everyone.”

Courtesy Salvo Sibilla

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