Imagine a place forgotten in a suburb of Barcelona.
Imagine a 1920 three-story house, gray, completely abandoned.
Forget about it now, because what happened a few months ago has radically changed making it one of the most beautiful house you have ever seen.
It is not new to this kind of works the interior and product designer Guillermo Santomà, whose works are hard to describe leaving aside the enthusiasm. Casa Horta, the abandoned building became a dream, is now his house, three floors feature a stunning design, brilliant colors and an inspiration that could not be anything but the Muralla Roja by Riccardo Bofill.
A change which, according to him, has succeeded thanks to the intervention of a team of only 5 people with a great imagination but little basis in the world of architecture.
His point of view, his philosophy and the color palette focused on pink, green, and blue was enough to make a place left to itself the house in which everyone would like to spend, at least, one night.
Bobby Mandrup – born in 1985 – uses light as a tool, delicately sketching figures and transcending the traditional boundaries of photography. In the face of this, Mandrup remains loyal to the roots of analog photography. His work is an authentic representation of the fleeting physical moment, capturing genuine emotions and an unfiltered reality.
Mandrup’s choice of cameras, primarily Yashica and Mamiya, are not just tools for him; they are also an integral part of his artistic process. These cameras, which have almost personal characteristics and quirks, become his means of expression. Mandrup embraces these imperfections and all the limitations of analog photography, using them to his advantage.
Bobby Mandrup’s work primarily focuses on artist portraiture, music, theater, and editorial photography. What distinguishes his photography is how it conveys genuine emotion and presence, regardless of the subjects’ genre or fame. We’re not dealing with a documentarian here, but an artist who seeks to unearth the unpredictable and authentic moments that occur outside the confines of a controlled studio environment. Each photograph tells a story, not only of the subject but of the moment itself, capturing the very essence of being human.
Read something else on Bobby Mandrup’s photography here.
“Tupac The Legend” is a forty-page volume containing a unique collection of images taken by Michel Haddi during a photo shoot in 1993 with 2Pac. The book, signed and numbered out of 500 copies, was released on September 13th and also revisits some of the rapper’s thoughts. What sets this book apart is the inclusion of quotes from Tupac himself, providing a deeper understanding of the artist’s thoughts and personality. «I am thrilled to present this limited edition book: ‘Tupac The Legend,’ featuring many previously unreleased images,» enthusiastically declares Micheal Haddi.
Haddi’s personal connection with Tupac adds a special layer to the book’s narrative. During their encounter, Haddi was inspired to portray Tupac in attire reminiscent of Martin Luther King Jr., a vision the rapper decided to embrace, and the result of which is reflected in the book.
Micheal Haddi’s own story is fascinating as well, from a turbulent childhood in Paris to collaborations with iconic figures in the fashion industry. His story is as compelling as his photography. In conclusion, “Tupac The Legend” aims to be a heartfelt visual tribute to the legacy of Tupac Shakur. This limited edition coffee table book, with its unpublished images and personal anecdotes, promises to be a valuable addition to the collections of fans and portrait enthusiasts of the rapper.
“Life, like a river, flows with its own rhythm, carrying us on a journey filled with both tranquility and turbulence,” explains photographer Nanda Hagenaars. “In moments of calm, we are embraced by the gentle currents, as if floating effortlessly through the passage of time. It is during these moments that we find solace, and our spirits are uplifted by the serenity of the waters. However, calm waters can transform into turbulent torrents, unsettling our footing and leaving us questioning our purpose.”
With these words, Nanda Hagenaars (1988) provides us with a glimpse into her perspective on life, offering insights to understand her photographs. Hagenaars captures these ebb and flow of life through her lens. Her work can be described as poetic, intuitive, and emotional, driven by the desire to translate her feelings and emotions into images. The concept of time and timelessness has led Nanda to focus on black and white photography, a choice that adds depth and timelessness to her art.
For Nanda, the camera is more than just a simple tool; it’s a symbol of transformation. It has helped her see life in new ways, much like looking through her lens has shown her fresh perspectives. She believes in using photography as a means to grow and discover herself. “It’s not always easy to see things differently, but I make an effort to do so,” she says. This philosophy is reflected in her practice. She doesn’t just see the water; she also sees its reflection. This way of seeing extends to everything she captures, always in search of new compositions, eager to unveil hidden beauty. Nanda plays with light and shadow, creating a dance that is both rhythmic and melancholic.
«Just as the river carves its path through the landscape, so do the challenges we face shape us. The trials and tribulations, the moments of uncertainty and doubt, they all contribute to our personal evolution. They teach us resilience, patience, and the art of adaptation. We learn that life’s true beauty lies not in the absence of obstacles but in our ability to overcome them. And as we continue along our journey, we learn to trust the flow of life, knowing that, just like the river, we are forever evolving, forever moving forward.»
In Nanda Hagenaars’ world, each photograph is a reflection of this philosophy. With her lens as a guide, she invites us to join her in exploring the intricate twists and turns of the river of life, finding meaning and beauty in every shot.
Nanda Hagenaars will present one of her shots at the Collater.al Photography exhibition at the Matalon Foundation in Milan from Sept. 22-24, 2023.
Wendy Symons, a self-taught Dutch photographer, embarks on a profound journey through her lens, capturing intimate moments of motherhood without any filter. Wendy Symons possesses a remarkable ability to perceive the beauty in everyday moments, those small and delicate details often overlooked by the frantic pace of life. Her photography is a heartfelt exploration of the human experience at every stage of life. However, it’s the early motherhood experience that holds a special place in Wendy’s heart. She approaches it with an honest and intimate lens, revealing the profound bond between a mother and her child.
Inspiration flows to Wendy directly from nature itself. The healing power of the natural world influences her work and often becomes the muse for her next shoot. Through her lens, Wendy finds solace and inspiration, effortlessly merging the worlds of art and motherhood. Wendy Symons’ style is a testament to authenticity and the raw essence of life. She relies exclusively on natural light to capture genuine moments in their full splendour. This choice infuses her work with a warmth and truthfulness that makes each photograph an unfiltered window into the lives she documents.
One of Wendy’s extraordinary projects is Art Mama, in which she merges her two worlds, the artistic and the maternal. In the midst of the pandemic, she embarked on this introspective journey, diving into her life as a mother and artist. Wendy’s photo diary paints an intimate portrait of her children and herself as they deal with the complexities of motherhood during turbulent times. Her images are a reminder that the journey of motherhood, although unpredictable and chaotic, is a shared experience that unites us all.
Wendy Symons will present one of her shots at the Collater.al Photography exhibition at the Matalon Foundation in Milan from Sept. 22-24, 2023. Courtesy Wendy Symons