Gucci comes to Hollywood with the Gucci Love Parade show

Gucci comes to Hollywood with the Gucci Love Parade show

Andrea Tuzio · 3 months ago · Style

It was a matter of time.
Gucci, its Creative Director Alessandro Michele and Los Angeles have finally crowned their “dream of love”. 
Last night, the Gucci Love Parade show was staged in the City of Angels, with a parade along Hollywood Boulevard – defined by Michele as “the time of the gods” – with the unmistakable Chinese Theater in the background.

There is a very strong connection between Alessandro Michele and Los Angeles. Gucci’s creative director credits his mother, an assistant at a film production company in Cinecittà and a film lover, for his strong passion for the glamorous and glossy Hollywood of yesteryear. Gucci Love Parade is actually about and evokes contemporary Los Angeles, a city Michele first visited at the age of 27 and with which he developed a very strong love affair. 

 
 
 
 
 
Visualizza questo post su Instagram
 
 
 
 
 
 
 
 
 
 
 

Un post condiviso da Gucci Official (@gucci)

“Los Angeles is not a fashionable city, but it is so fashionable. Sometimes the people of Los Angeles seem unfit, but in being unfit they are so precise. Maybe it belongs to my way of looking at fashion – it’s a personal matter”, these are the words of the artistic director of the fashion house backstage at the show.

Michele openly declared that at the beginning of her career she dreamed of being a costume designer. In fact, he spent the entire day before the show at the recently opened Academy Museum of Motion Pictures where he was able to admire some of the most iconic dresses in film history. 
Among the protagonists of the show were some of the most influential personalities of the jet set and friends of the fashion house, including Macaulay Culkin and Jared Leto. Gwyneth Paltrow, invited to attend the show, wore a revisited version of the red velvet Gucci tuxedo designed by Tom Ford in 1996.

“My Hollywood is in the streets”, said Michele, he also added that the maison has its roots in the “jet-set, negli artisti e nel cinema”  but he was keen to specify what Gucci is not: a “bourgeois monarchy”

“All around these demigods unfolds the city of angels, where a blessed light streams throughout. This is where I met the most peculiar people, out of time, refractory to any idea of order. I have always observed them as in procession at the slopes of the acropolis of dreams. Eager to offer themselves as gifts of uniqueness. A parade of enchanted and deeply free beings that go across a land where neither past nor future reside: only the miracle of the imaginative flair. Mum always told me about it: Los Angeles shines in its own magic, which is timeless; it’s a place that brushes the divinities, becoming a mythology of the possible”.
Alessandro Michele

Below you can take a look at the entire Gucci Love Parade show, from the red carpet to the actual runway.

Gucci comes to Hollywood with the Gucci Love Parade show
Style
Gucci comes to Hollywood with the Gucci Love Parade show
Gucci comes to Hollywood with the Gucci Love Parade show
1 · 1
Cinematography – Normal People

Cinematography – Normal People

Giordana Bonanno · 3 days ago · Photography

If we think about our past, are we able to scan our lives through a plot? I personally find it a bit difficult, what I remember vividly is always accompanied by a feeling, by an emotional state that, beautiful or bad, has enclosed a set of days or moments. Yet we idealize the design of a life in time bands with childhood, adolescence, “middle” adulthood, “advanced” adulthood, etc.. But do we really need to divide the years in this way or are we just trying to justify the ages through this idea? Normal People, the TV series directed by Lenny Abrahamson, made me think about a few things and realize that maybe there’s nothing normal about people, or maybe it’s all too normal.

Released during the summer of 2020, the series is based on the second novel by Irish author Sally Rooney and tells the story of Marianne and Connell, two young people who attend the same high school. His mother works as a housekeeper in the Sheridan’s big house. Connell is a popular athlete and the bright student everyone looks up to. Marianne is “uncool,” grumpy and rebellious despite an impeccable high school career. From this premise, it’s as if we can already have a clear picture of the two guys’ plans, know their lives and even imagine the end. But while all this might be true, the only thing we’ll need to know is that the plot is a secondary source. The story, theirs, is not driven by the events that sanction the beginning and happy ending of something, but by the emotional peaks of the two characters who learn about themselves in the difficulties and moments of discouragement. 

And if the dialogues help us to understand them better, their gestures will be the culmination in which all thoughts will converge; it will seem to us to have lived those sensations and we will almost want to try them again. 

The physical touch allows Marianne and Connell to show emotional vulnerability that is otherwise given to them with incredible difficulty. Ita O’Brien, who helped coordinate these scenes, is the author of a set of guidelines on how to ethically stage erotic scenes; she was the one who helped film another sex-positive modern series, “Sex Education.” Director Abrahamson and coordinator O’Brian wanted the sex in the show to feel open, normal and natural, and somewhat equal to any dialogue-this approach almost literally quotes the way Rooney herself handles the subject matter in the book. And director of photography Susie Lovell says that the main reference on set in terms of nudity and color solutions was a candid series of photographs by Nan Goldin

Speaking of which, it’s worth noting how the visual solutions rhyme with a detached style of storytelling: blue tones even on hot summer days, delicate macro photography and a tactile approach to the set design, heavy curtains, velvet or velvet pleasant to the touch, woolen sweaters, textured bedding, peeling on the ceiling wet locks adhered to the forehead. Where the show lacks depth, it makes up for it with an enveloping atmosphere. Sometimes it’s hard to believe that the episodes last only half an hour – for a story where formally little happens, the experience is very intense. 

Simple but visually striking scenes reminiscent of the work of photographer Julien Lallouette. Born in 1991, Julien is a French art director and photographer, born in Le Havre, and based in London. In addition to commercial work, Julien does personal projects where she focuses on one person at a time. His delicacy lies in leaving space for the subject, to tell someone’s story through the habits and gestures trapped in the photos. Visiting her site you can find different series of shots, each dedicated to a different person and titled with the name of the protagonist. Friends, acquaintances, but also models are portrayed in domestic and intimate environments where they have the freedom to show themselves as they really are.

The question most remains this: are we all perfect or are we just imperfectly normal people? Sally Rooney says “what if we admit extreme individualism is unsustainable and try to find the meaning of life in a variety of contacts with others?” What we seek is the possibility of being ourselves while remaining close to others.

Did you know: After filming wrapped, Paul Mescal gave his character’s signature chain necklace as a gift to Daisy Edgar-Jones.

Genre: Romance

Director: Lenny Abrahamson

Director of photography: Suzie Lavelle

WritersSally Rooney, Alice Birch, Mark O’Rowe

Stars: Paul Mascal, Daisy Edgar-Jones

Cinematography – Normal People
Photography
Cinematography – Normal People
Cinematography – Normal People
1 · 26
2 · 26
3 · 26
4 · 26
5 · 26
6 · 26
7 · 26
8 · 26
9 · 26
10 · 26
11 · 26
12 · 26
13 · 26
14 · 26
15 · 26
16 · 26
17 · 26
18 · 26
19 · 26
20 · 26
21 · 26
22 · 26
23 · 26
24 · 26
25 · 26
26 · 26
InstHunt – The 10 best photos on Instagram this week

InstHunt – The 10 best photos on Instagram this week

Giulia Guido · 2 days ago · Photography

Every day, on our Instagram profile, we ask you to share with us your most beautiful pictures and photographs.
For this InstHunt collection of this week we have selected your 10 best proposals: @maggienelcaos, @alessandrascoppetta, @chia_riccio, @kiddosstufff, @obsessive.ph0t0graphy, @alessandro_zenok_lombardo, @vrtivstic, @mariyaleksa_ph, @ne.photogra.ph, @naya_december.

Tag @collateral.photo to be selected and published on the next InstHunt.

InstHunt – The 10 best photos on Instagram this week
Photography
InstHunt – The 10 best photos on Instagram this week
InstHunt – The 10 best photos on Instagram this week
1 · 1
InstHunt – The 10 best photos on Instagram this week

InstHunt – The 10 best photos on Instagram this week

Giulia Guido · 1 week ago · Photography

Every day, on our Instagram profile, we ask you to share with us your most beautiful pictures and photographs.
For this InstHunt collection of this week we have selected your 10 best proposals: @laurapasini3, @valerycia, @boryskulikovskyi, @polae.jpg, @paola_francesca_barone, @vrtivstic, @laura.mangelli, @nicole_depergola, @defalcotina, @jesuis_claire.

Tag @collateral.photo to be selected and published on the next InstHunt.

InstHunt – The 10 best photos on Instagram this week
Photography
InstHunt – The 10 best photos on Instagram this week
InstHunt – The 10 best photos on Instagram this week
1 · 1
Why aren’t you here tonight?

Why aren’t you here tonight?

Tommaso Berra · 1 week ago · Photography

Impossible to fall asleep, the thought of the other night is pushing in, gripping my stomach with five fingers.
I just wanted to fuck him and now I’m already addicted to the power with which he held my neck. I can still feel the contact between his warm chest and my shivering back, I miss him a little.
There have been nights of which I have confused memories, lost among a thousand useless details, but now I have a clear idea of what I have been denied in this room paved with parquet and adorned with a few plants. I try to fill the lacks, making my body remember gentle gestures, gentle because they seek my lifeblood, they reach up to see the violence of my thoughts.

Paulina Masenina‘s photos are the story, illustrated and written, of an unfulfilled sexual desire. An erotic and desperate journey of a need for mental and physical contact. The bed is still empty, the room desolate, in the head considerations of a night gone wrong: “How many orgasm missed?“, “I can’t breathe thinking of us not fucking in this bed“.

Discover HERE all the shots by Paulina Masenina.

Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Paulina Masenina | Collater.al
Why aren’t you here tonight?
Photography
Why aren’t you here tonight?
Why aren’t you here tonight?
1 · 10
2 · 10
3 · 10
4 · 10
5 · 10
6 · 10
7 · 10
8 · 10
9 · 10
10 · 10