Permanent Souls is a project by designer Iranzo, and it was born as a question without a definitive answer: what remains when something no longer exists, but continues to live in memory?

His research explores memory as form, void, and suspension. A practice that moves between the dreamlike and the real, between what barely resists and what instead invites to be embraced. The starting material is discarded nets, coming from sports and construction contexts, transformed into functional sculptures that inhabit the threshold between the visible and the invisible.

These works, light and permeable, stretch the boundary between utility and imagination: they suggest a function without ever imposing it, remaining open to interpretation, play, the movement of the body and the gaze. Chairs, tables, and transparent structures become frames that redefine space, preserving traces of their past while taking on a new conceptual weight.

With Permanent Souls, Iranzo reaffirms how matter survives its original purpose, transforming everyday industrial waste into forms suspended between memory and abstraction, between use and contemplation.