Every year TIME 100, the special issue of the American weekly in which the list of the 100 most influential personalities is drawn up, is a regular and unmissable appointment. The release of this year’s special was scheduled for next week, but like everyone else, TIME has had to deal with the current situation and the pandemic that is dominating our days. For this reason, the TIME 100 that will be released next April 27th will not have any list, on the contrary, it will contain the testimonies of personalities who in past years have already won a place in the famous ranking, the so-called TIME 100 alumni, who have been asked to tell their quarantine, their vision of what is happening in the world.
Such a unique issue, however, needed an exceptional cover, created by an exceptional artist.

TIME therefore asked JR to create an ad hoc work that represented the current situation, quarantine, lockdown, fear but also hope.
Finding Hope, this was the title chosen for the artwork created in a small street in the 19th arrondissement of Paris with its now famous gluing technique. As always, the work consists of an anamorphic image, which reveals itself only when viewed from a precise point, portraying a solitary figure peeking through shutters that look very much like pedestrian crossings.
In the video that recounts the making-of, the artist explains that he chose this particular subject both because pedestrian crossings are a universal symbol, used all over the world, and represent walking down the street, going somewhere, which we can no longer do freely today, and because the man looking out of the window represents all of us in this period.
Moreover, not having been able to ask for the necessary permissions to make the work, JR said he did it the old-fashioned way, in the middle of the night and trying not to make noise and not to be noticed by anyone.
Finally, JR remembers what is the role of the artist in society, what is the task he has to fulfill, especially in times of crisis like this.
“You gotta stay the utopist.
The artist always stays the utopist.
Why? Because there are enough people being pessimist around.
We have to always see a better world.”