Marco Rambaldi returns to talk about concreteness with Tante Care Cose (Many Kind Things), and he does so in one of the most popular places: the square. Yesterday, as we sat in the newly renovated Piazza Tomasi di Lampedusa, surrounded by the remains of Roman baths and medieval towers, waiting for the fashion show to begin, there was a warm and enveloping atmosphere in the air—the signature vibe of the brand since 2017. Once the show ended, accompanied by the notes of La Canzone dei Vecchi Amanti by Franco Battiato, we stood up with the same awareness.
The provincial idea of belonging connects with the need to «cling to the real,» as the show’s notes state. It’s a necessary act, given the historical moment we are living through. The same provincial essence also becomes evocative and familiar, recreating the atmosphere we mentioned earlier.
The non-trivial color palette (acidic greens, earthy tones, but also cooler shades along with lilac) reminds us of the shades of the countryside. The tablecloths from village fairs and the colors of rural flora. In short, that shiny lilac continues to haunt us, along with the green and burgundy shoes created in collaboration with Lineapelle. This is further enhanced by the use of trompe-l’œil effects, depicting imaginary garments as if they were real, reaffirming the boldness of the designer from Emilia. There were also leather fringe bags—something to keep an eye on.
The touch of brightness, thanks to Swarowski crystals scattered on organza, forming doilies, angels, and chains, makes us think of a renewed desire to wear something shiny. Knits make a return as well, the most representative element of the Bolognese brand, with patterns that made us fall in love and lace stitches alongside punched ribs.
Beyond the clothes, what reassured us most was the diversity of the cast chosen for the show. The iconic Big Mama, the Paralympic athlete Valentina Petrillo, and Francesco Cicconnetti became ambassadors of this visceral need for inclusion. Marco Rambaldi’s vision—always queer and inclusive—remains intact, safe in the heart of the province, wrapped in clothes that are able to tell a story and make us feel secure. At least for now.
