Graphic designer Margie Rischiotto turns chaos into art, playing with blurred boundaries between illustration, design, and visual experimentation. Her aesthetic is an explosion of colors and unusual shapes, a language that blends irony and strangeness with a carefully crafted balance. «I’m fascinated by finding the exact point where something becomes neither too much nor too little,» she explains to It’s Nice That, emphasizing how her creative journey has been a constant evolution. With a style she describes as “neatly chaotic,” Margie builds universes where digital nostalgia merges with boundless imagination.

Her visual world draws from the early 2000s, a time when graphics and experimentation intersected in unexpected ways. Among her influences, she cites publications like Plazm and Mondo magazine, educational videos like Eyewitness, and shows such as Cyberchase—all united by a bold and unconventional aesthetic. «That era reinvented the way text was used, mixing it with collage and illustration,» she says. But her research doesn’t stop at the past: more recent phenomena, such as the hypnotic Little Baby’s Ice Cream commercial, also fuel her desire to create images that surprise and disorient.

Margie’s goal isn’t just to amaze but to make people think. Her deliberately disorienting aesthetic pushes the viewer to examine every tiny detail, to question what feels familiar. «I like creating something unexpected, something that forces you to look twice,» she states. Her work moves between the surreal and the digital, blending the chaotic energy of the internet with an aesthetic that challenges the rules of traditional design.