This or That – Milo Hachim

This or That – Milo Hachim

Tommaso Berra · 5 months ago · Art

Milena Hachim is an eclectic illustrator who lives in Santiago, Chile with her rabbit. For the past several years she has devoted herself entirely to illustration and ceramic work. Everything she does is modeled, hand-painted but first of all drawn-this is how all her characters come to life.

Not owning many toys, she spent all day as a child drawing and making plasticine figures. Illustration therefore has always been a part of her life, surrounded by her mother’s comic books (“Disney Fantasies,” “Peanuts,” and “Babar the Elephant”) that over time influenced her stroke. Milo’s father, on the other hand, a school teacher, often frequented the finest bookstores, and she never missed an opportunity to accompany him to minutely observe all the picture books.
I feel that I have not changed much in my favorite activities, I keep many objects and books from when I was a child. My hobby is going to flea markets to find treasures and old toys that inspire me, although my rabbit remains without a doubt my number one muse.”

What she likes most about her work with clay is that it allows her to experiment and materialize figures that she imagines and which then become physical pieces with an affective value. 
Milena thinks that ceramics is similar to drawing because it involves several steps, the difference being that in ceramics the process is much slower and unpredictable. The moment after the kiln is her favorite because you can never know for sure what will come out of it. 
His style is figurative he uses strong colors and the objects he makes are gentle and fun. Some pieces are real tools of everyday life (flower vases, jewelry boxes, or candle holders) but for the most part they are not, at least in the traditional sense, and their only use is perhaps to be beautiful.

Collater.al, together with BRILLO Magazine interviewed Jacopo Rosati, asking him to take sides in what is utopically a world in wahich there always seems to be only two contrasting elements to choose between. This or That?

– Noon or midnight?
Noon

– Venice Biennale or Vatican Museums?
Venice Biennale

– Coca Cola or Pepsi?
Coca Cola

– Easy Rider or Fast and Furious?
Easy Rider

– Batman or Spiderman?
Spiderman

– Zombie invasion or alien invasion?
Alien invasion

– Phone call or text message?
Text message

– Nostalgia or imagination?
Imagination

– A world in ceramics or that your ceramics can come to life?
A world in ceramics

– To be a child forever or to be 20 years old forever?
To be a child forever

– Being eaten by a shark or a tiger?
Tiger

– Screaming or whispering?
Whispering

– Flying or mind-reading?
Flying

– Full or empty?
Full

– NY or LA?
LA

– 00s or 10s?
00s

– Gen Z or Millennials?
Millennials

– Instagram or TikTok?
Instagram

– Apple or Samsung?
Apple

– Bates Motel or Overlook Hotel?
Overlook Hotel

– Iron or stone?
Stone

– Mozart or Metallica?
Mozart

Angels or Evil?
Angels

– Federer or Nadal?
Federer

– Anarchy or law?
Law

-’70s or ’90s?
’90s

-Auction House or crypto art?
Auction House

-Win an Oscar or a Grammy?
Grammy

– Survive in Squid Game or Hunger Games?
Hunger Games

– Having a doppelganger or a talking dog?
A talking dog

– Tea or coffee?
Coffee

– Winter or Summer?
Summer

– Suv or Spider car?
Spider car

– A trip with a VolksWagen van or in an all inclusive hotel?
A trip with a VolksWagen van

– Cooking or Deliveroo?
Cooking

– Waking up early or going to bed late?
Going to bed late

Testo: Collater.al e BRILLO Magazine

This or That – Milo Hachim
Art
This or That – Milo Hachim
This or That – Milo Hachim
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Artistic nudity and liberation in Lucie Nechanicka’s photos

Artistic nudity and liberation in Lucie Nechanicka’s photos

Tommaso Berra · 5 days ago · Photography

A form of freedom and self-assertion vis-à-vis a world of conventions and constraints, by photographing her own naked body artist Lucie Nechanicka wants to achieve this condition of personal and emotional freedom.
Born in the Czech Republic and now based in the UK, Lucie represents this freedom first and foremost by stripping away any veils that may condition the gaze, to move away from a traditional view of nudity and back to a tradition of the body, seen as pure unity, the element that most shares mechanisms with the Earth and nature.
Technically, Lucie Nechanicka represents the concept of freedom through perspective distortion or by hiding her body or playing with shadows, which are either natural or brought in by other objects that create decorations on the skin. The use of unusual angles helps to break out of the monotony of the narrative about the human body in photography, as well as other elements that seem to stand between the subject and the viewer, such as lenses, filters or mirrors, capable of altering a first impression that is all about rewriting, revising and analysing outside the traditional box.

Artistic nudity and liberation in Lucie Nechanicka’s photos
Photography
Artistic nudity and liberation in Lucie Nechanicka’s photos
Artistic nudity and liberation in Lucie Nechanicka’s photos
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Karen Navarro and migration as identity formation

Karen Navarro and migration as identity formation

Tommaso Berra · 7 days ago · Photography

Karen Navarro’s mixed-media photography is a tool through which the Argentinian artist explores sides of her past, her identity and the causes that led to the definition of certain personal traits shared with an entire people.
The multidisciplinary artist creates photos, collages and sculptures focusing on the theme of belonging, to a physical place and to another of the soul, using portraits and resorting to the use of the written word. All of Navarro’s artistic production is influenced by her being an immigrant (she now works in the United States, in Houston) and descendant of indigenous peoples of South America.

Migration in Karen Navarro’s work is in fact seen as a process of inner transformation, of the formation of a collective identity that reflexively shapes the personal one. The interpretation of the symbols of one’s own culture is present both in the installations but above all in the photographs, in which the subjects stand out precisely thanks to these details, together with the work of image transformation and deconstruction of the work.

Karen Navarro | Collater.al
Karen Navarro | Collater.al
Karen Navarro | Collater.al
Karen Navarro | Collater.al

Karen Navarro | Collater.al
Karen Navarro | Collater.al
Karen Navarro and migration as identity formation
Photography
Karen Navarro and migration as identity formation
Karen Navarro and migration as identity formation
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A new exhibition in Bologna curated by Mulieris Magazine

A new exhibition in Bologna curated by Mulieris Magazine

Tommaso Berra · 2 weeks ago · Photography

For two months, from 1 February to 30 March 2023, in Bologna, the concept studio THE ROOOM will host a new exhibition, curated by Mulieris Magazine.
The title of the project is DREAMTIGERS, a quotation from the Argentine writer Jorge Luis Borges and his extraordinary imagery in which animals play a fundamental role in stimulating memories and imagination.

DREAMTIGERS is an exhibition that uses the imagination through the works of Lula Broglio, Alejandra Hernández, Joanne Leah, Sara Lorusso, Sara Scanderebech, Ayomide Tejuoso (Plantation), together with the installations of The Mosshelter by Marco Cesari. This dimension thus opens up a world of possibilities not only for the mind but also for the representation of what is real.
A fusion, that between the real and the imaginary, which Sigmud Freud defined as the navel of the dream, an undefined place in which it is possible to freely address the themes that have made THE ROOOM and Mulieris Magazine known to the public in recent years. These themes certainly include the condemnation of any form of discrimination and gender equality, addressed over the years through popularisation, wonderful books and very interesting artistic projects that will continue with the Bolognese exhibition.

Mulieris Magazine | Collater.al
Mulieris Magazine | Collater.al
Mulieris Magazine | Collater.al
Mulieris Magazine | Collater.al
Mulieris Magazine | Collater.al
Mulieris Magazine | Collater.al
A new exhibition in Bologna curated by Mulieris Magazine
Photography
A new exhibition in Bologna curated by Mulieris Magazine
A new exhibition in Bologna curated by Mulieris Magazine
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Pinhole photography taken from the mouth by Justin Quinnell

Pinhole photography taken from the mouth by Justin Quinnell

Tommaso Berra · 2 weeks ago · Photography

What is pinhole photography? It is an image taken through the photographic process of pinhole photography, a technique that, like most modern cameras, exploits the principle of the camera obscura, but using a small hole as a lens, which creates images through diffraction.
Justin Quinnell is considered one of the leading experts in this technique, both for his almost thirty years as a lecturer worldwide and for his artistic production of experimental photographs.
From Bristol, where he lives, he produces photography using pinhole cameras, creating unusual situations and points of view, thanks to the possibilities of the medium and the deformations of the image.

Among Justin Quinnell’s most bizarre photographic series is the one taken using a smileycam, a camera that the artist places completely inside his own mouth, thus exploiting the power of an unusual and very bizarre point of observation – POV to use a fashionable definition. all of Quinnell’s teeth appear in the frame, which the viewer ends up knowing better than the artist’s own dentist. In addition to the teeth, different subjects are presented from time to time, describing Justin’s daily routine, starting with his toothbrush in the morning, moving on to meals and the cocktail to share in the evening. From the photographer’s mouth we also keep track of his travels, so between an incisor and a canine, St. Mark’s Square in Venice and the Sydney Opera House pop up.

Stenoscopy does not involve any special focusing, which is why the photos look very amateurish. In the past it represented a high point for technology, now, surpassed by much better lenses and lenses, it is used for more experimental and artistic projects, thanks to the possibility of being able to create strange points of view and unpredictable results. Quinnell’s work is a very clear example of this, and if you would like to find out what your mouth sees, you can also find the smileycam here.

Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Justin Quinnell | Collater.al
Pinhole photography taken from the mouth by Justin Quinnell
Photography
Pinhole photography taken from the mouth by Justin Quinnell
Pinhole photography taken from the mouth by Justin Quinnell
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