The title is “Breaking Ground” and is the last book that Phaidon has launched about architecture designed by women from the early twentieth century to the present day. The editor Jane Hall wants to make a pioneering visual manifesto of more than 200 incredible buildings designed by women all over the world. She stars from the epic time Zaha Haid asked ‘Would they still call me a diva if I were a man?’ challenging as she did so more than a century of stereotypes about female architects.
Featuring twentieth-century icons such as Julia Morgan, Eileen Gray, and Lina Bo Bardi, and the best contemporary talent, from Kazuyo Sejima to Elizabeth Diller and the duo Grafton Architects who curated the last Architecture Biennale di Venezia. Other important names such as Itsuko Hasegawa, winner of the inaugural Royal Academy Architecture Prize of 2018; Frida Escobedo, the youngest person ever chosen to design the Serpentine Pavilion; and of course the one and only Zaha Hadid. However, this new book also includes less familiar figures, such as Margaret Kropholler, the first professional female architect in the Netherlands; Mary Medd, a leading figure in post-war school design; Minnette de Silva, the first Sri-Lankan women to train as an architect; and Altuğ Çinici, an award-winning Turkish architect, perhaps best known for her 20th century educational and governmental commissions.
This book is, above all else, a ground-breaking celebration of extraordinary architecture. Jane Hall hopes that every young, female reader will buy this book and understand how important is to leave a mark on the built environment “and maybe she’ll end up in a future Phaidon arch book, too”.
A song in its own sentimental way that celebrates attachment to life, a choral song that anticipates the release of the band’s long-awaited third album. Canova‘s new song was written during the lockdown, at a time when uncertainty and hope alternated uncontrolled.
The new single by Canova “Tutti uguali” for Maciste Dischi, a choral and somehow positive song, antidote to this uncertainty, born in a few minutes, is out today. “Don’t hurt me, I can’t breathe” are George Floyd’s terrible last words, known to everyone, added to the song in the days following May 25th.
“Tutti Uguali” is just one of the pearls that have anticipated the release of the next Canova album in recent months. As always exclusively for Collater.al Mag they created a playlist that inspired the band during the writing of the song.
In this playlist there are the songs and sounds that have accompanied us in these months of lockdown and during the writing of the song
In France, they would say “Là c’est la cerise sur le gâteau“, a common expression that in English is literally translate with “the icing on the cake.”. Undoubtedly this is how the music of the young French artist Fhin, a rising star of electronic music, is identified.
Author-composer, performer and producer of his songs, Fhin proposes music that mixes neo-soul, progressive/alternative and electronic influences. This syncretism, tinged with a romantic touch and hypnotic grooves, is an invitation to dream, a cardinal notion in the conception of his repertoire. Trauma is Fhin’s first album and collects songs that are to date his most personal, a reflection of his history and his universe.
We asked Fhin 5 questions to get to know him better, to get to know his “traumas” and delve into his very personal world.
The word ‘trauma’, at least in Italian has a precise meaning, can you explain us something more about its origins and the birth of your upcoming album?Traumas are generally seen and felt as conclusions of really bad events. I think it is also a powerful thing to understand, accept and dominate to learn to live with.It is a print in each one of us, it forges personality and makes you who you are. Trauma is something you didn’t died from, it is a proof that life is precious and fragile.For the first time in that album, I wrote a lot about my childhood, mostly on a time during which I was hospitalized to remove a tumour in my spine and lung. It was not something terrible to live, I was young and naive, but i’m conscious about the luck I had to be able to walk again and everything. I often think about those memories and it will always be there somewhere in my mind.
I’m sure you could see it coming, but being Italian I must ask, is there an Italian artist of the past or present that you particularly like or that you would like to work with? The first Italian artist I heard and blew my mind it was Giovanni Giorgio, with his amazing soundtrack for Midnight express. He also made an awesome work on Random Access Memories. Legend!
You come from a family of musicians who play different instruments, from your mother who plays the piano very well, to your grandparents who were pianists and an opera singers on one of the biggest transatlantic liners in France, how did you approach electronic music that seems so far from the influences you received? Actually I’ve never learned music theory, my parents are crazy about music but didn’t put me in classes etc. I was on drums really young, and learned guitar, piano, by trying to reproduce what I was listening to. Then electronic music came naturally as I wanted to record on my computer, and was listening to a lot of new styles of music on blogs etc.
Where does the stage name Fhin come from? Why did you choose it? I just liked how it sounded and was written. The first Idea came from Pink Floyd’s “Thin Ice”. And it approximately means the same thing in french and english when you say it, so.. voilà !
To conclude, it’s been a long time since your last album, what can we expect? What are your feelings? With this one, I absolutely didn’t bother about the way I should make music so this person likes it, and this one will like it… I didn’t want to release a corporate album with a single musical signature, one mood, like a lot of albums that are released. I think it is a heritage of old ways to produce music, when we were hiring musicians to build the album, one sound engineer, one studio. Everything on the album was then sounding a bit the same. Now we can do absolutely anything we want with an audio interface and a laptop, I think it is boring to stick to one mood/genre. So everything you will here comes straight from my heart, and there are a lot of different vibes!
On 8 June 2018, Kanye West and Kid Cudi offered the world the Kids See Ghosts collaborative project, a sound journey designed to influence international music with its sounds.
And while the album just celebrated its first anniversary earlier this month, the two artists just surprised their fans. After signing the artwork for the project, Japanese artistMurakami is said to have created an audiovisual work linked to Kids See Ghosts, in which we find the legendary Kanye bear (designed in 2007 by Muramaki for graduation) and Kid Cudi in the shape of a fox. The two rappers obviously lend their voices to these fictional characters, who seem to be unleashed in dreamlike and psychedelic adventures, just like the ghostly sounds of Kids See Ghosts. Now, the question remains whether the cartoon will be a short film, a mini-series or a real movie. The West-Cudi-Murakami trio will surely have other nice surprises in store.
Waiting to discover all the details and what this magic has reserved for us on an album that still records almost three million monthly listenings, we just have to look at the trailer in order to deceive the wait.
It makes Kanye West talk once again about himself, after announcing his upcoming collaboration with Gap and releasing a small preview of a new animated series inspired by the old album “Kids see ghosts” with Kid Cudi, in the last hours the American artist has released the teaser of a new song.
It’s titled “Wash Us in the Blood” and will be in collaboration with Travis Scott and will be part of Kanye West’s next album.
We were already talking about this album a short time ago when the director Arthur Jafa during a live Instagram with the designer Michèle Lamy had let some details about a new single by Kanye, part of the forthcoming God’s Country album.
The track was mixed by Dr. Dre and the video that accompanies it contains some images of the protests that have inflamed America.
Yesterday a few hours after the tweet, the American rapper announced the release of the Wash Us in the Blood video, directed by Arthur Jafa, which you can now watch below.