Artist Michael Beitz subversively compromises the functionality of everyday objects (such as the picnic table, sofa, bench and many others …) by questioning the object’s design as a place of social interaction by turning it into a space of intimacy and isolation.

Michael Beitz limits the ability of each element to perform its regular function by stretching or twisting it on itself.
In this way, the artist represents in a symbolic, but also ironic way, the complexity of human relations.