The last time we talked about Miguel Ángel Belinchón aka Belin was seven years ago when his art was inclined towards a style that could combine surrealism with hyperrealism. Now a few years have passed and, inevitably, some things have changed while others have remained the same. 

If before his art was influenced by Graffiti, by Wildstyle, today he maintains these characteristics, mixing them further with hyperrealism and especially with Cubism, succeeding in establishing himself in the current that took the name of post-neocubism. 

Quotes to Picasso do not go unnoticed, both in terms of subjects, covers, and faces that decompose, both for the construction of the image. 

The years of study, but also those of autonomous production and research have led him to have a perfect technique, which does not need grids, guidelines, stencils, the only tool Belin is his hand, which already knows where to go. 

All these characteristics allow his art to find a home on any surface, on paper, on canvas and obviously on the walls of buildings and houses.