The whale-shaped observatory, the project by Baca Architects

The whale-shaped observatory, the project by Baca Architects

Emanuele D'Angelo · 1 year ago · Design

The year 2021 seems to hold only great projects in store for us. Baca Architects has designed a marine observatory called the “Australian Underwater Discovery Centre” that is shaped like a whale that seems to emerge from the sea.

The project was developed to replace an observatory that already existed but unfortunately was not very popular. Hence the idea of the architects to start from the existing building and modify it to make it more functional to the demands of visitors.

“Australian Underwater Discovery Centre” will be positioned partially underwater and will feature a large window overlooking the ocean floor, in order to admire the seabed and its species.

The AUDC will also have a beautiful restaurant below sea level where you can see many sculptures and artwork placed on the ocean floor.

– Read also: Under, the first underwater restaurant in Europe

But the shape is definitely the most curious and unique detail of the entire project by Baca Architects.
The studio had initially made three different proposals regarding the shape of the Discovery Center, the first, the one that won, in the shape of a whale, the second and third took the forms of a cave and a boat.
In the end, it was the citizens themselves who voted for the best project and as we have already said, it was the whale-shaped structure that won.

Its completion is scheduled for 2022. The structure will be prefabricated at a nearby shipyard before being towed and transported to the site.

Here are all the images of the gleaming “Australian Underwater Discovery Centre” by Baca Architects.

The whale-shaped observatory, the project by Baca Architects
Design
The whale-shaped observatory, the project by Baca Architects
The whale-shaped observatory, the project by Baca Architects
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Collater.al & Brillo. Together in the name of the love of illustration

Collater.al & Brillo. Together in the name of the love of illustration

Giulia Guido · 5 days ago · Art

We need new imagery, created in pencil, pen, black and white or colour, drawn on a sheet of paper or digitally. We also need a place where we can admire and immerse ourselves in these imaginaries. And what if this place were actually two? 
Collater.al and Brillo have joined forces to give even greater prominence to illustrators who are ready to take us into their world. 

Over the next few months, the Instagram profiles of @collater.al and @brillo_magazine will feature the work of these young talents, who promptly responded to the open call launched by the two magazines, and which you can always review here. 

DANIELE MORGANTI

LORENA SPURIO aka WABISABI

 
 
 
 
 
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Un post condiviso da Collater.al Magazine (@collater.al)

SOFIA ROMAGNOLO aka AZZURROSCURO

 
 
 
 
 
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Un post condiviso da Collater.al Magazine (@collater.al)

MARIANNA POGGIONI

 
 
 
 
 
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Un post condiviso da Collater.al Magazine (@collater.al)

CHARLOTTE LE BLEU

BERTRAND AZNAR

ANTONIO COLOMBONI aka SCOMBINATO

SHUT UP CLAUDIA

EDOARDO MARCONI aka RADIOCOMANDERO

Cover by Carlotte Le Bleu

Collater.al & Brillo. Together in the name of the love of illustration
Art
Collater.al & Brillo. Together in the name of the love of illustration
Collater.al & Brillo. Together in the name of the love of illustration
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“Okja” in ten frames

“Okja” in ten frames

Giulia Guido · 4 days ago · Art

Okja” is a 2017 film directed by Bong Joon-ho. Although it did not rake in awards like the subsequent “Parasite“, “Okja” ranks among the South Korean director’s best works and features an ensemble cast that includes Tilda Swinton, Paul Dano, Lily Collins, Giancarlo Esposito, and Jake Gyllenhaal.

The film tells the story of a young girl who for most of her life has raised a genetically modified “super pig,” building a bond of mutual affection with him. But their lives are set to change drastically as the industry that actually created the animal must take it back to begin the slaughtering process.
This is an exposing film against the mistreatment of animals within the meat industry that manages to deal with the topic by focusing on empathy and friendship. For this very reason in 2019 it was named one of the most influential films of the decade by the New York Times. 

In “Okja,” the state of mind of the protagonist and her animal are reflected in the colors of the sets and the choices related to the cinematography, curated by Darius Khondji (Seven, Midnight in Paris, Uncut Gems), which manage to completely capture the viewer. 

Okja
Okja
Okja
Okja
Okja
Okja
“Okja” in ten frames
Art
“Okja” in ten frames
“Okja” in ten frames
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The illusion of calm in the illustrations of Kento IIDA

The illusion of calm in the illustrations of Kento IIDA

Tommaso Berra · 4 days ago · Art

You know the sky on certain summer days, when you couldn’t find a cloud miles away and everything above our heads is a delicate blue, the color of the sweetest of spun sugars? Illustrator Kento IIDA finds in this atmosphere of calm the inspiration for his works, images of tranquil landscapes but leaving an atmosphere of suspicion, as if something unforeseen will happen soon, or as if something unforeseen has just happened, far from the eyes of possible witnesses.
In these vignettes there are always elements or signs that suggest a movement that breaks the calm, sometimes the movement has already happened or is in progress, as in the case of cars launching from bridges or space missiles lifting angular clouds to the sky like marble sculptures.

Kento IIDA (who is based in Tokyo) incorporates elements of Japanese tradition in his illustrations, thus traditional buildings and views of snow-capped peaks that hint at Mount Fuji appear in these ambiguous scenes, as well as baseball players, a national sport in Japan and probably the artist’s favorite.
There are not only clear skies in the views, however; poetry is also provided by clouds, often single and isolated, or by gloomy skies that sound like an omen, in an increasingly suspended and uncertain time.

Kento IIDA | Collater.al
Kento IIDA | Collater.al
Kento IIDA | Collater.al
Kento IIDA | Collater.al
Kento IIDA | Collater.al
Kento IIDA | Collater.al
Kento IIDA | Collater.al
The illusion of calm in the illustrations of Kento IIDA
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The illusion of calm in the illustrations of Kento IIDA
The illusion of calm in the illustrations of Kento IIDA
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Vickie Vainionpää’s code-generated works

Vickie Vainionpää’s code-generated works

Tommaso Berra · 1 day ago · Art

Artistic expression is now no longer bound only to manual gesture, and in some cases not even to the artist’s choice. Vickie Vainionpää‘s works in fact follow that artistic strand in which works are the result of codes, of an algorithm that creates unpredictable solutions by reworking basic information. The Montreal-based artist creates his works through a generative code, which traces a certain number of points placed in a Cartesian plane.
The result is that of twisted shapes like guts or extraterrestrial organic creatures, in which even the color and shades are dictated by the generative code.

The forms are then the basis for oil paintings on canvas, in which the digital forms acquire a presence and matter through the texture of the support, the shadows and the layering of color. Some of these canvases are recently on display in New York at The Hole NYC gallery for the artist’s solo exhibition entitled “Software.”
In Vickie Vainionpää’s works, the relationship between man and machine merges, the physical and virtual experience become interconnected to the point of blurring the genesis of everything. Who creates? Who is created by whom? A series of questions that help read and complicate the present.

Vickie Vainionpää | Collater.al
Vickie Vainionpää | Collater.al
Vickie Vainionpää | Collater.al
Vickie Vainionpää | Collater.al
Vickie Vainionpää | Collater.al

Vickie Vainionpää’s code-generated works
Art
Vickie Vainionpää’s code-generated works
Vickie Vainionpää’s code-generated works
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