This year at Glastonbury, a new sacred site has emerged—but instead of saints or deities, plants are being celebrated. It’s called In Plants We Trust, and it’s the installation with which London-based artist and designer Yinka Ilori makes his debut at the famous festival, specifically in the Shangri-La area, which has recently been renewed and transformed into an open-air gallery.

Those familiar with Ilori’s work know that his approach to design and art is deeply social, colorful, and engaging. And this time is no exception. In Plants We Trust is a kind of stepped pyramid, inspired by ancient temple architecture but reinterpreted through a contemporary lens. At its center runs an illuminated corridor that cuts through the structure, while at the top sits a blooming flower bed, as if it were a natural altar.

The message is clear: to pay tribute to plants, recognizing their vital importance for the well-being of both humans and the planet. “It’s incredible to be part of something so special, with which thousands of people will be able to interact,” Ilori told Dezeen. “For me, this is what art is about: bringing it to the people, making it accessible to everyone, regardless of background.”

The choice of Glastonbury as the setting is no coincidence. The festival has always been fertile ground for artistic experimentation and messages with strong visual and social impact. And Ilori’s installation perfectly blends spirituality, sustainability, and collective participation. Because yes, now more than ever, trusting plants is a revolutionary act.