Design Main Titles made to perfection (not to be skipped)
Designserie tv

Main Titles made to perfection (not to be skipped)

Giulia Guido

What do Watchmen, Game of Thrones, The Crown, The Young Pope, and True Detective have in common? Sure, they are unquestionably some of the most successful TV series of the past 10 years, but that is not all that unites them.
The lowest common denominator of these and other globally successful shows answers to the name Elastic. Elastic is a design and animation studio that over the years has specialized in main title design, becoming a point of reference for production companies in the fields of film and television. 

That of creating theme songs should be considered true art, suffice it to say that among the Primetime Creative Arts Emmy Awards since 1976 there has been the Outstanding Main Title Design category. 

While initially these were main titles made with simple montages, illustrations, and fades, over the years production companies began to pay more and more attention to and invest more in opening credits, often aiming to bring catchphrases to life. 

What many people don’t know is precisely that behind the vast majority of main titles that have stuck in our heads and we wouldn’t skype for anything in the world is the same hand, that of Elastic precisely. 

Founded in 2008 by designer Angus Wall, Elastic was born out of the need to create a small studio where it was possible to work by combining old techniques with new technologies. Thanks to Wall’s connections, the studio began curating the theme songs for shows such as Carniv├ále, Roma, and Big Love, until the breakthrough came in 2010. Knowing Angus Wall’s work both personal and within Elastic, HBO’s then head of scripted entertainment Carolyn Strauss approached him about a new project: Game of Thrones

 

What the producers of GoT asked of the Elastic team was much more than a banal intro, they needed something that would introduce the world born from the mind of George R.R. Martin and introduce the different places, managing from time to time to recap the previous episode. 

This is how one of the most iconic main titles of recent years was born, one that is just impossible to skip. 

The design team worked closely with a team of artisans, who were inspired by none other than Leonardo Da Vinci’s machines to create all the mechanisms that reveal the buildings, valleys, and mountains. 

Once the models were built, the designers reconstructed them in computer graphics, allowing the viewer’s gaze to enter and exit the towers, fly over the Narrow Sea, and all the way to the Room of Iron Throne. 

Its success was immediate and in addition to winning an Emmy in 2011 opened dozens and dozens of doors for Elastic, leading the studio to collaborate not only with HBO, but also with Netflix, Marvel, Disney+, and Amazon Prime Video

What made Elastic solidify its success in 2011 was its ability to condense the soul of a series, of a story, into a few seconds. We often don’t see any characters at all; character development remains the show’s job; what Elastic has always done is give viewers the tools they need to get through an episode. We see this in The Man in the High Castle, for which we are catapulted into a Nazi world, in The Crown where the focus is on the one thing that matters, the crown, or even in the more recent Only Murders in the Building for which it is nominated for the Emmys that will take place next September 12. 

The Crown

The ability to range from one style to another has also led the studio to be the first choice for many productions: a more documentary slant was chosen for series such as The Last Dance or Conversations with a Killer: The Ted Bundy Tapes, a more minimal and conceptual identity was adopted for The Morning Show, while 3D, live-action and VFX were the watchwords for Carnival Row, The Politician and their latest effort The House of the Dragons

The Politician

Indeed, it did not go unnoticed by Game of Thrones fans how the long-awaited spin-off dedicated to the House of Targaryen unveiled the main title in the second episode that took everyone back to 2011. Same construction, the same interlocking mechanisms unveiling hidden rooms and places we know very well by now, and even some music we have been humming for days.

In summary, if you are watching the main title that you would never skipper you are probably watching a work by Elastic. 

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Un post condiviso da Elastic (@elastic.tv)

Designserie tv
Written by Giulia Guido
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