With the Moulding project, photographer Prue Stent and artist Honey Long explore the ambiguity of representation through fluid and sinuous bodies.

Figures wrapped in fabrics that compress and stretch them, play with the idea of classical form, scrapping it and making it dynamic, transient and ambiguous. A project that partly remembers the work Unique Forms of Continuity in Space of the sculptor Boccioni, symbolic representation of the movement of fluidity that rejected the traditional sculpture.

The material that envelops the bodies expands them and deprives them of weight while hiding the forms and their identity. Constrained and stifled, however, figures are at the same time liberated in an alternative dimension of dream and immateriality.

As in Soft Tissue everything is mentioned and left to the spectator’s eyesight.